Customers also buy
Yulia Kh.
March 24, 2026
I was satisfied with the quality of the products; we purchased furniture legs. I would especially like to highlight the professionalism of manager Oksana—very client-oriented, competent, and precise specialist. She even arranged additional trimming of some elements as an extra service for us. Huge thanks!
Incognito 7.
March 24, 2026
One of the few firms that is pleasant to interact with on renovation matters. Adequate, responsive managers. Adherence to deadlines. Execution of even complex projects. Bravo! May there be more such firms!!
Marina D.
February 15, 2026
The company ordered the pens for us when we ordered furniture. But I decided to write a review personally because they are amazing! Stylish, expensive, high-quality!
More than 20 years on the market
The company's success began in 2002, when two artists — Andrey Ragozin and Evgeny Tsapko — created a small creative workshop for producing wooden carved items. The masters' work was quickly noticed, and within a year they were invited to participate in the reconstruction of the Konstantinovskiy Palace in Strelna.
After the success of this project, the company focused on recreating palace interiors, furniture, church furnishings, and carved decorations in various artistic styles. They worked with cultural heritage sites: The Hermitage, the Alexandrovsky Palace, the Troitsko-Izmaylovsky Cathedral, the Sheremetyevsky Mansion, and many others.
The masters' task — and still is — to create wooden items with the highest level of detail and understanding of every element, based on impeccable knowledge of artistic laws and interior styles.
STAVROS Guarantees
Quality of products without complaints
We save your time, peace of mind, and budget
Large warehouse program
We solve your tasks with maximum speed
Adherence to production deadlines
Streamlined process reduces all risks
Delivery from 1 piece throughout Russia
Quality service regardless of order volume
Your positive business reputation
Reliable partner — the foundation of your business
More decorative appliqués in this category
Frequently asked questions
Our showrooms are located in Saint Petersburg and Moscow. Production is located in Saint Petersburg.
Moscow contacts: https://www.stavros.ru/contacts_all/?tab=msk
Contacts of Saint Petersburg: https://www.stavros.ru/contacts_all/?tab=spb
- Send request by email [email protected]
- Write to us at Telegram
- Write to us at WhatsApp
- Order by phone +7 (800) 555-46-75
- Visit our showroom in Saint Petersburg and Moscow
Yes, we ship orders throughout Russia and to CIS countries.
We cooperate with transportation companies such as СДЭК and DPD.
You can also arrange pickup of your order through any convenient transportation company for you.
Delivery cost depends on the size, weight of the item, and delivery address.
When placing an order, the delivery cost is calculated automatically and displayed as a separate line on our website.
Prices and availability of items on the website are always current. Data is updated daily.
Note: items in stock are stored on the warehouse in unpolished form and shipped within 3 working days.
If the item is not in stock, average production time: 5–10 working days.
This is the quality of polishing of the items.
Standard — machine polishing, at a more attractive price.
Prestige — detailed hand polishing, items do not require further work.
More details: https://www.stavros.ru/information/kachestvo/
This is the type of veneer of the items.
Under enamel: produced by gluing wooden laminates without color and texture matching. Contrast tonal and textural differences are noticeable. This blank should be chosen if the item is intended for opaque coating.
Under tinting: produced by gluing wooden laminates with color and texture matching. Tonal and textural differences may occur. This blank should be chosen if the item is intended for semi-transparent finish.
More details: https://www.stavros.ru/information/kachestvo/
Beech — dense, non-porous wood, most often used for items covered with enamel.
Oak — dense, porous wood with clearly visible natural grain. Due to its strength and decorative properties, it is often used in items with semi-transparent coating, highlighting the wood pattern.
Custom-made, if non-standard items are required, we can produce products from other types of wood, including blanks provided by the customer, manufactured according to our technical specifications.
All our furniture legs can withstand a vertical load of at least 100 kg.
Average production time for custom-made items: 5–10 working days.
Most items are stored on the warehouse in unpolished form. We need time to polish and pack orders.
Yes, we manufacture non-standard items according to individual projects, but we only accept orders with a minimum quantity.
We can manufacture items of the desired size, but we only work with bulk orders. For details, please consult the sales department manager.
Yes, some of our products can be used outdoors. For example, polyurethane items, as well as carved door casings made of pine.
Other items are produced to order using PUR glue, if minimum quantity is available. No warranty is provided for such products, as outdoor conditions are considered aggressive.
Yes, we paint items when ordering products for a total amount of 150,000 rubles or more.
- Dust removal. After sanding, the surface must be dusted.
- Priming. Apply primer in an even layer.
- Matting. After the primer has fully dried, the surface should be matted (lightly sanded for better adhesion).
- Finish coating. Apply finish coating: lacquer or enamel, in 2 layers, with interlayer drying.
More details: https://www.stavros.ru/information/sovety/
Apply adhesive to the decor. Place it on the surface and press briefly. Then, lift the decor from the surface and leave it open for 3–5 minutes. Press the decor firmly onto the surface and hold for 5–10 seconds.
More details: https://www.stavros.ru/information/sovety/
Ideally, you should prepare a design project before placing an order.
You can do this yourself by downloading drawings of our products from our website, or you can order a project from us.
If the number of decorative elements and fittings is small, our company's manager can assist you with selection.
Unfortunately, this service is not provided.
The packaging method depends on the type of items, but in each case, we ensure sufficient protection for safe transportation.
We most often use corrugated cardboard and stretch film. Fragile items are additionally secured on a rigid base to prevent damage during transport.
We ship all items starting from 1 piece.
Room measurements and item installation can be performed by our partners — carpentry companies represented in most regions of Russia.
Often searched in category Carved decor
Wooden decor N-175.1 — a carved overlay that transforms the space
There are things that cannot be described in a few words without losing their essence. Wooden decor N-175.1 is exactly such a product. A large carved overlay made of beech, capable of turning an ordinary furniture facade into a piece of furniture art, a wall panel into an architectural accent, and a modest door leaf into a detail of a palace interior. This is not just a decorative wooden overlay. It is a tool used by professional designers, furniture makers, and all those who understand: true beauty is born in the details.
Carved wooden decor N-175.1 is a large-format decorative overlay made of natural beech, designed for decorating furniture facades, door leaves, wall panels, and interior compositions. The product is prepared for painting with enamel, available in three sizes, and fits organically into classical, neoclassical, and palace styles.
Where this decor lives: purpose and scope of application
Before talking about the relief, material, and proportions, it is worth answering the main question: where is it appropriate carved wooden insert of such scale and such character?
The answer is surprisingly broad. Decor N-175.1 is a product of universal application that feels equally confident both on furniture and in architectural solutions. The main thing is to understand its nature: it is a large central element around which the entire decorative composition is built.
Furniture facades are the first and most natural place for this decor. Large planes of wardrobes, sideboards, sections, and chests of drawers instantly gain expressiveness once the carved overlay is correctly positioned in the center of the facade. The flat surface of MDF, veneer, or solid wood ceases to look empty and becomes part of a well-thought-out design concept.
Cabinets and walk-in closets are a separate story. The tall doors of built-in wardrobes rarely receive decorative attention, even though they set the rhythm of a bedroom or hallway. The wooden furniture overlay N-175.1 can change the perception of an entire wall: add depth, make the panel visually richer, and at the same time not overload the space with unnecessary details.
Doors and decorative panels are another point of application. An interior door with a carved central element is perceived as custom-made, even if the base is a standard panel. It is for this reason that professional furniture makers value large-format overlays so highly: they provide maximum visual effect with minimal labor on site.
Wall panels are an area that designers have been increasingly exploring in recent years. Wooden interior decor in the form of large carved overlays mounted in lambrequin panels or frame structures creates the effect of three-dimensional architectural finishing. This solution looks especially expressive in living rooms, studies, and formal hallways.
Bed headboards are a place where the N-175.1 decor reveals itself from an unexpected side. A central carved overlay on the headboard gives the bedroom a feeling of intimate palace coziness. This is a solution that cannot be replicated by factory methods without a custom order—but with a ready-made product, it is accessible to everyone.
Interior compositions in classical, neoclassical, Empire, and palace styles are unthinkable without such elements. Carved to buy, which will allow you to transform your furniture using carved wooden elements. You can use the C-003-3 decor set to decorate furniture, walls, doors, or any other surface. The C-003-3 decor set is made of oak or beech, known for their strength, durability, and beauty. You can buy the C-003-3 decor set at the Stavros decor store, which specializes in producing and selling decorative elements and hardware for furniture and interiors. At the Stavros decor store, you will find a wide selection of decor sets of various shapes, sizes, and styles. You can choose is not just decoration; it is a semantic code of style, a sign of belonging to a certain aesthetic tradition.
Visual power: what happens to the surface after installation
Good decor does not add unnecessary details to the surface—it changes its nature. After installing the N-175.1 overlay, the facade ceases to be just a flat panel. It acquires relief, shadow, depth—those qualities that make an object interesting to the eye.
The large format of the product provides a clear visual effect even without additional elements. The relief of the carving creates a play of light and shadow that changes depending on the angle of light and the type of lighting. In daylight, it is a delicate volume. In the evening, with directed lighting, it is a true dramatic accent.
After painting with enamel, the decor merges with the base into a single surface. This is where the main aesthetic value of this solution manifests itself: the carved beech overlay ceases to be perceived as a glued-on element and begins to look as if it were cut directly into the body of the facade. The finished product is perceived as a monolith—expensive, precise, designed from the first stroke.
There is another subtle point that is rarely mentioned in product cards, but is well known to everyone who works professionally with interiors: large carved decor for the facade creates a sense of scale. A tall cabinet with a central carved overlay appears taller. A wide facade seems more significant. A door leaf looks denser and more expensive. This is an optical property of good relief decor, and the N-175.1 possesses it fully.
Material: why beech
The choice of beech for carved wooden decor for furniture — is not a coincidence or a compromise. It is a deliberate technological decision backed by years of production experience.
Beech is one of the densest and most uniform deciduous species used in furniture production. Its structure allows for reproducing fine carving details without chipping or loss of shape. Where less dense species produce blurred edges or cracks during milling, beech holds the pattern clearly and cleanly. This property is fundamentally important for large-format carved overlays with high relief.
Natural beech wood accepts primer and enamel well. After finishing, the surface remains smooth, without porosity or the blistering of the paint coating characteristic of some species. This makes the product an ideal companion for furniture made of MDF, solid wood, and veneered facades — after a single painting, all elements look the same.
Another important property: beech is stable under temperature and humidity fluctuations within the range of a normal living space. This means that the decorative wooden overlay on the facade will not crack, deform, or delaminate with proper installation and standard operating conditions.
The product is made of laminated beech. Lamination is one of the key characteristics that determines the decor's resistance to deformation in the long term. The lamination quality of the N-175.1 model corresponds to the "under enamel" level, meaning the surface is prepared for final painting without additional seam treatment.
The compatibility of solid beech decor with other materials is a separate topic. The overlay looks organic next to MDF facades, veneered panels, solid wood doors, and even painted wall frames. A single finishing enamel neutralizes the difference in materials and unites everything into one design statement.
Sizes: three formats for three tasks
Wooden decor N-175.1 is available in three sizes. This is fundamentally important: a large-format carved overlay must match the scale of the surface it is installed on. A too small element will get lost on a large facade. A too large one will overload a small door.
Available sizes:
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988 × 500 × 13 mm — compact option for medium-sized furniture facades, cabinet doors, decorative inserts, and small wall panels;
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1185 × 600 × 16 mm — universal format, optimal for standard doors, wardrobe facades, and central wall compositions;
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1450 × 734 × 19 mm — large option for tall sliding wardrobes, accent wall areas, bed headboards, and large-scale interior panels.
Please note: the thickness also varies depending on the size — 13, 16, and 19 mm respectively. This is not only a technologically determined solution but also visually significant: a larger format gets a deeper relief, which creates pronounced chiaroscuro and is more readable on large surfaces.
How to choose the right size
The question every buyer asks themselves: which size is right for my task? There is no universal answer, but there are a few practical guidelines.
If you are decorating a standard kitchen cabinet facade with a height of 720 mm or a hinged module door — your option is 988 × 500 mm. This format does not cover the entire facade plane, leaving enough "air" around the decor, which corresponds to classic proportions.
For hinged doors with a height of 2000–2100 mm, standard wardrobe facades, and wall panels with a width of 600 mm or more, the medium format 1185 × 600 mm is optimal. It holds the center of a large panel well and does not require additional decorative elements around the perimeter — a frame molding is sufficient.
The large version 1450 × 734 mm is designed for tasks that require true architectural power: tall cabinets up to the ceiling, an accent wall behind the headboard, wide decorative panels in the living room or study. This product does not get lost in a large space — on the contrary, it becomes its dominant feature.
Finishing and preparation: what 'under enamel' means
When buying decorative wooden elements for furniture, it is always important to understand the condition in which the product is supplied and what needs to be done before the final finishing.
The N-175.1 decor is supplied in an 'under enamel' condition. This means that the surface has undergone final sanding and is prepared for applying primer and paint coating without additional seam finishing or manual processing with fine sandpaper. This is what distinguishes a professional product from an entry-level product.
The 'under enamel' option is the choice of those who want a unified paint finish for furniture or wall panels together with the applied decor. Enamel is white, cream, gray, anthracite, or any other opaque paint that unites all structural elements into a monolithic surface. After painting, the seam between the overlay and the base becomes invisible — carved wooden decor under enamel looks like part of the product itself.
The sanding of the product meets the quality standard of the 'Standard' class, which implies a smooth, evenly processed surface with clearly defined relief edges. This is especially important for enamel finishing: any unevenness, scratches, or wood grain left after rough sanding will show through the thin layer of enamel and ruin the entire effect.
Where the N-175.1 decor is especially appropriate
We have already discussed the purpose — but there are interior contexts in which this carved decor for doors and facades reveals itself especially vividly and convincingly.
A classic kitchen set with enameled facades is the perfect environment for N-175.1. White or cream facades with carved central inserts are one of the most enduring design trends in the premium kitchen segment. Such a kitchen is perceived as an expensive custom order, although its base may consist of standard cabinets.
A neoclassical living room is a space where the N-175.1 overlay feels completely organic. Wall panels with carved accents, display cabinets, consoles with decorative inserts — all these elements benefit from the presence of large relief decor.
A bedroom in a palatial or Empire style is another obvious application. The headboard with a large-format N-175.1 overlay, framed with moldings around the perimeter and painted in the same color as the wall, creates the effect of a monumental architectural element. This solution is popular in design studios working in the luxury segment.
A study or library with wooden panels, bookshelves, and built-in cabinets is a space where wooden decor for a classic interior sounds especially appropriate. Here, the N-175.1 overlay adds intellectual rigor and nobility to the interior.
An entryway with tall wardrobes is one of the most striking applications. It is the entryway that sets the first impression of the home, and it is here that large carved decor works as the calling card of the entire interior.
What to combine it with: cross-linking and the logic of the decorative system
No decorative element exists in a vacuum. Professional designers and experienced furniture makers know: the N-175.1 overlay is the central element of the system around which the entire decorative ensemble is built. Properly selected accompanying products multiply the visual effect and give the result a finished look.
carved wooden inlays — the first thing to consider in a set with N-175.1. Corner overlays, small acanthus leaves, floral and plant elements frame the large central insert and create a multi-level decorative composition. The variety of shapes allows you to build your own decorative narrative — strict, baroque, or more restrained.
to buy, which will allow you to transform your furniture using carved wooden elements. You can use the C-003-3 decor set to decorate furniture, walls, doors, or any other surface. The C-003-3 decor set is made of oak or beech, known for their strength, durability, and beauty. You can buy the C-003-3 decor set at the Stavros decor store, which specializes in producing and selling decorative elements and hardware for furniture and interiors. At the Stavros decor store, you will find a wide selection of decor sets of various shapes, sizes, and styles. You can choose — a broad category in which you can select symmetrical and asymmetrical elements, rosettes, pilasters, and applied cornices. All of them are made from the same beech and prepared for similar types of finishing, which guarantees compatibility in a single painting program.
wooden furniture handles — a detail that is often underestimated. A wooden handle, matched in tone to the carved decor and covered with the same enamel or patina, completes the image of the furniture piece. This element is perceived as the final touch — it is what communicates that everything was done deliberately and according to a single concept.
Wooden Skirting Boards — a necessary element for interiors with wooden wall panels. The baseboard completes the lower edge of the panel, aligns it with the flooring, and creates a professional "frame" for the entire decorative system.
Carved wooden elements of different formats — from small accents to large ornamental inserts — allow you to gradually increase the decorative richness of the interior. Starting with one element and gradually adding new details is the logic of professional design for classic spaces.
It is also worth paying attention to wooden moldings, furniture cornices, decorative rosettes, and baguettes — all these products are part of a wide range developed as a single, mutually compatible system.
Advantages of decor N-175.1: what the buyer gets
Listing the product's advantages is a common practice. But let's do it substantively and specifically, without generalities.
The large expressive format is not just "big." It is a format that, when used correctly, works as a full-fledged architectural element and does not require additional embellishments. One decor N-175.1 on a facade does what budget projects try to achieve with five or six small details simultaneously — with a far less convincing result.
Natural beech is an environmentally friendly material that does not emit harmful substances, accepts finishes well, and has a long service life. For furniture intended to be used for years in a living space, this is a fundamentally important criterion.
Preparation for enamel frees the craftsman from additional sanding and surface finishing. The product arrives ready for priming and painting — this saves time and reduces the likelihood of errors during self-preparation.
Three sizes represent three different levels of decorative tasks: from a furniture facade to a large-scale interior installation. The ability to choose a format means that the same item covers a wide range of design tasks.
The ability to be used simultaneously in furniture and interiors is a rare quality for a single product. The overlay N-175.1 is equally good on a cabinet door and on a wall panel — this is the versatility that is highly valued by professionals working on cohesive interior concepts.
The speed of obtaining results is a significant practical factor. The large decorative wooden element N-175.1 significantly speeds up work on site: there is no need to wait for the production of a custom carved item, and no need for manual carving on site. The finished overlay is mounted, painted — and the handcrafted effect is achieved.
Classic, neoclassical, premium — three stylistic directions in which this decor feels equally confident. This expands the customer base and reduces the risk of error when choosing.
Selection recommendations: how to avoid mistakes
When working with large-format carved overlays, it is important to consider several points that determine the final result.
Proportions are the first thing to check. The N-175.1 decor should occupy the central part of the facade so that there is at least 80–100 mm of space left around it to the edge of the panel or to the frame molding. This is a classic rule that ensures a feeling of "breathing" decor, rather than an ornament packed to the edges.
Compatibility with molding is the second key point. If you plan to use the decor in combination with perimeter molding, make sure that the relief of the overlay does not conflict with the profile of the molding in height. Ideally, both elements should be from the same catalog and prepared for a unified finish.
Base thickness is the third point that is often forgotten. MDF facades 16 mm thick and solid wood facades 20 mm thick will require different approaches to installation. The N-175.1 decor, 13–19 mm thick, adds a significant protrusion above the base plane, which must be considered when calculating gaps between doors.
The finish should be planned in advance. If you choose white enamel, the primer and finish must be compatible with natural wood. If patina or antique finish is planned, this is a separate technology requiring specific primers and paints. The correct sequence of finishing guarantees a durable and aesthetically flawless result.
Size selection: practical guidelines
| Overlay size | Recommended surface | Optimal facade height |
|---|---|---|
| 988 × 500 × 13 mm | Furniture facade, insert, door | 720–900 mm |
| 1185 × 600 × 16 mm | Door, wardrobe facade, panel | 2000–2200 mm |
| 1450 × 734 × 19 mm | Tall cabinet, wall, headboard | from 2200 mm |
Installation and finishing: how to achieve a professional result
Installing decor N-175.1 is not the most complex process, but it requires accuracy and consistency. Proper installation determines 80% of the visual result.
Surface preparation
Before installation, make sure the facade or panel is cleaned of dust, grease, and old paint coatings. The surface must be flat and dry. If the base is MDF or plywood, preliminary priming is recommended to reduce glue absorbency.
Test fit the decorative overlay without glue — check centering, symmetry, and distance to the edges of the panel. Mark the overlay's placement outline with a pencil or painter's tape. This step takes a few minutes but eliminates errors that cannot be fixed after fixing.
Fixation
For installing large wooden overlays on furniture facades, use high-strength PVA, wood glue, or two-component epoxy compound — depending on the base material and operating conditions. When fixing to vertical surfaces, it is additionally recommended to use thin screws through the back side of the product or temporary fixation with painter's tape until the glue is fully cured.
Important: do not overload the product with glue. Excess compound will squeeze out along the perimeter of the overlay and ruin the finish surface. Use a thin, even layer distributed over the entire back plane of the product.
Enamel finish
After the glue and putty at the joints around the perimeter have cured, apply wood primer in 1–2 coats. Let each coat dry completely. Then apply the finish enamel in 2–3 coats with intermediate sanding with P320–P400 grit. This process ensures a smooth, silky finish where the carving reads like three-dimensional stucco, organically integrated into the facade.
Professional tip: when applying enamel to carved relief, use a soft brush or low-pressure spray gun. A roller is not suitable for complex relief — it leaves unpainted areas in the recesses of the pattern.
Wooden decor in classic interiors: more than just decoration
Why does wooden decor hold such a firm place in the hierarchy of finishing materials? Why haven't plaster, polyurethane, or foamed PVC completely replaced it, even in the era of mass-produced imitations?
The answer lies in the very nature of the material. Wood is a living material with an organic texture, thermal properties, and acoustic behavior that cannot be precisely replicated by synthetic alternatives. When you touch a wooden surface, you feel it. When you look at carving from natural beech, you see it. There are things that cannot be faked without losing the essence.
That is why buy wooden decor are sought by those who understand the difference between imitation and the original. Not because it is necessarily more expensive or more complex. But because it is a different quality of material presence in the space.
Classic and neoclassical interiors are built on the principle of hierarchy: there are main elements, secondary ones, and background ones. The carved overlay N-175.1 is the main element around which the entire decorative program of the surface is formed. Properly integrated into the system of moldings, baseboards, handles, and fittings, it turns a separate plane into a full-fledged architectural statement.
Carved beech overlay in furniture production: an inside look
Practical furniture makers know: the quality of carved decor is determined not only by the aesthetics of the design but also by the precision of the back side's flatness, geometric stability, and surface condition. These parameters determine how easily the product will fit onto the facade and how neat the seam around the perimeter will be.
The decorative overlay made of solid beech N-175.1 meets the standard where the back plane is flat, allowing glue to be applied in an even layer without manual adjustment. This saves time in production and reduces glue and putty consumption.
Additionally, the product is made from laminated solid wood, which means increased stability compared to solid wood: the laminated structure is significantly less prone to warping during humidity fluctuations typical of transportation and warehouse storage.
For small furniture manufacturers and carpentry workshops, the ability to purchase large wooden carved furniture decor ready-made is a fundamental resource savings. Self-milling a similar product would require special equipment, expensive tools, and significant technician time. A ready-made overlay removes this barrier and opens up the possibility of working with classic forms even for small workshops.
What styles does the N-175.1 decor suit?
Interior style is not just a set of visual features. It is a system of proportions, materials, colors, and details that together create a recognizable character of the space. The wooden decor N-175.1 fits into several established style directions.
Classic is the basic environment for this product. Symmetry, large relief, natural material — all of this corresponds to the DNA of a classic interior.
Neoclassicism is a modern interpretation of classic forms. Here, restraint of relief and a unified finish are important: the N-175.1 decor under matte white enamel fits perfectly into neoclassical furniture.
Palace style and Empire — for large-scale projects with high ceilings and large surfaces. It is here that the large format of 1450 × 734 mm shows itself in full force.
Light classic is a popular request in modern design. White and cream interiors with wooden decor under enamel are no longer a trend, but a stable direction that remains relevant regardless of the season.
Dark shades and patina — for those who choose a more intense decorative language. Anthracite, dark green, or aged oak colored enamel on carved decor creates a completely different mood — heavy, rich, with a hint of a museum or an old library.
FAQ: Answers to popular questions
Can the N-175.1 decor be used in the kitchen?
Yes. With proper surface preparation and application of moisture-resistant enamel, the product is suitable for kitchen facades. It is recommended to use polyurethane or alkyd enamels that are resistant to steam and periodic wiping with a damp cloth.
Which glue is best to use during installation?
For installation on MDF and plywood, carpenter's PVA of water resistance class D3 or D4 is optimal. The same compounds are suitable for solid wood and veneer. Wood decor is not installed on metal and glass.
Is additional sanding required before painting?
The product is supplied with a finish sanding "for enamel." Nevertheless, before priming, a light treatment of the surface with P220 abrasive is recommended to improve adhesion of the first primer coat.
Can I order decor in only one size?
Yes. The product is available for purchase from one piece in any of the three presented sizes. This is convenient both for single orders and for small serial projects.
How long does wooden carved decor last with proper use?
If the installation and finishing technology is followed, the service life of the product is comparable to the service life of the furniture itself — 15–25 years in standard residential conditions.
Can I combine decor N-175.1 with other models from the catalog?
Yes, and it is even recommended. All products made of natural beech in the catalog are manufactured under a single production program and are compatible in material and finish quality. You can build a complex multi-level decorative system using several models from the categories Decorative Inserts и Carved wooden decoration.
Are there mirrored versions of the overlay for symmetrical compositions?
This question is best clarified when placing an order — some models in the catalog have a mirrored design, which allows creating symmetrical paired compositions on wide facades and panels.
Is the N-175.1 decor suitable for use with moldings?
Yes. The N-175.1 overlay blends organically with wooden and MDF moldings, forming complete frame systems with a central decorative accent. This is one of the most common professional techniques in facade design.
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