TV Zone Without Chaos: Molding Frames and Neat Baseboard

A TV in a modern living room is not just a household appliance, but a compositional center around which the entire life of the room is organized. Here, the family gathers in the evenings, guests are received, and weekends are spent. Paradoxically, this area is often the least thought out: a black rectangle on the wall, a tangle of wires, chaotically arranged equipment, and the absence of visual structure.

Professional designers know: the TV zone requires the same careful planning as any other interior element. Moreover, considering its central position and constant presence in the field of vision, it must be addressed especially delicately.Polyurethane wall decorin the form of molding frames and properly selectedwith a classic profile creates a sense of solidity, reliability.transform the technical zone into a full-fledged architectural element.

A frame of molding around the television performs several functions simultaneously. Visually, it integrates the equipment into a classical or neoclassical interior, where a black screen would otherwise be an alien element. Practically, it conceals wires and cables, creating hidden communication channels behind the decorative structure. Psychologically, it creates a sense of order, structure, and thoughtfulness — qualities that distinguish a professional interior from a random collection of items.

In this composition, the skirting board plays the role of a foundation, the visual base of the entire structure. It connects the TV zone with the floor, creating a horizontal base from which the vertical composition begins. Without a properly selected skirting board, even a perfectly designed molding frame will appear to float in the air, detached from the space.

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Combination of frames and cable management: beauty through functionality

The main problem of any TV zone is wires. Power cables for the television, cables from set-top boxes, HDMI cables from gaming consoles, audio systems, internet cables — all of this creates a web of wires that destroys the aesthetics of the space. A professional solution is to hide communications behind a decorative structure made of molding.

Basic structure: false panel as a base

The first step toward an organized TV zone is creating a false panel behind which all communications are hidden. This is not a solid wall, but a structure made of gypsum board or plywood, 50-100 mm thick, mounted on a metal frame and set back from the main wall.

Advantages of the false panel:

Hidden cable routing — all wires run inside the structure, not visible from the outside. From the television, cables run downward behind the panel, where they branch out to outlets, set-top boxes, and routers.

Niche for equipment — inside the panel, you can organize shelves for the TV set-top box, gaming consoles, and router. The equipment is hidden but accessible through discreet doors or removable panels.

Base for mounting molding — molding adheres perfectly to the flat surface of the false panel, without issues related to wall unevenness.

Possibility of built-in lighting — LED strips, transformers, dimmers can be installed within the structure.

The dimensions of the false panel are determined by the size of the television and desired composition. The minimal option — a panel slightly larger than the screen (30-40 cm wider and taller). The maximum — a panel covering the entire wall from floor to ceiling, from corner to corner. The optimal — a panel proportionally sized to the furniture in the room (usually 2-3 meters wide, 2-2.5 meters high).

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Location of outlets and cable runs

A critically important point to consider before installing the panel — where exactly will the outlets be located and how will the wires be connected to them.

Outlet group behind the television:

• 2-3 outlets for equipment (television, set-top box, console)

• Antenna outlet (if using cable TV)

• Internet outlet (if using wired connection)

These outlets are mounted on the main wall behind the false panel at the height of the television mount (typically 100-120 cm from the floor to the center of the screen). They are completely hidden behind the television and not visible from the outside.

Outlet group below:

• 1-2 outlets for additional equipment

• USB outlets for charging devices

These outlets are located on the main wall at a height of 15-30 cm from the floor, behind the lower part of the false panel. Equipment placed on the stand under the television can be connected to them.

Cable channels inside the panel:

Vertical cable channels run between the upper and lower outlet groups — voids in the panel's frame through which any wires can be threaded. It is advisable to make channels with extra capacity (50-80 mm diameter) so that new cables can be added in the future without dismantling the structure.

Integration of molding into the technical structure

Polyurethane moldings in interior designMounted on the front surface of the false panel, creating a decorative frame. But this is not just decoration — moldings also serve a practical function.

Masking technical access panels:

If equipment is placed inside the panel, access to it is required. Technical access panels (removable panels) are masked by moldings. For example, the lower horizontal part of the frame may be removable — behind it hides a niche with a router and TV box. The molding is attached with magnets, easily removable for access to the equipment.

Hiding joints:

The false panel joins with the main wall, ceiling, and floor. These joints must be neatly finished. Moldings surrounding the panel perimeter cover all technical gaps, creating a visually clean structure.

Ventilation:

Equipment inside a closed panel requires ventilation. The lower and upper parts of the molding frame may have hidden ventilation gaps (5-10 mm between molding and panel), through which air circulates. These gaps are not visible when viewed directly but ensure necessary air exchange.

Practical cable management schemes

Scheme 1: Minimal (only TV)

For the simplest case, when there is only a TV without additional equipment:

• Outlet behind the TV at mounting height

• Antenna outlet there too (if needed)

• All cables are hidden behind the screen

• Moldings create a decorative frame around the TV

Scheme 2: Standard (TV + box + soundbar)

The most common variant:

• Outlet group behind the TV (3 outlets)

• Niche inside the panel under the TV for the box (height 20 cm)

• Soundbar mounted on the front side of the panel under the screen

• Cable channel inside the panel connects upper and lower outlets

Scheme 3: Extended (full media center)

For a serious home system with multiple devices:

• Outlet group behind the TV

• Large niche (height 40-60 cm, width 80-100 cm) inside the panel at the bottom

• Inside the niche: TV box, gaming console, media player, AV receiver, router

• Ventilation openings in the niche (active or passive ventilation)

• Access via a hinged or removable panel, masked by moldings

Aesthetics of order: the devil is in the details

Even with hidden communications, there are details that can spoil the impression:

Sensors and indicators:

Many devices have LED indicators (box, router, console). If the equipment is hidden behind a solid panel, the indicators are not visible — which may be inconvenient. Solution: a transparent tinted insert in the panel (e.g., dark glass), through which indicators glow, but the equipment itself remains hidden.

Remote controls:

If the equipment is hidden behind a panel, infrared signals from the remote may not reach the receivers. Solution: IR extenders (infrared repeaters), which receive the signal from outside and transmit it to the hidden equipment.

Cooling system:

Modern gaming consoles and powerful receivers generate a lot of heat. In a closed niche without ventilation, they overheat and shut down. Minimum solution: ventilation openings (perforation in the panel, hidden behind moldings). Optimal: small, silent fans inside the niche, powered by USB.

Proportions to TV diagonal: the mathematics of harmony

The width of the molding frame is not arbitrary — it must be proportional to the size of the TV. Too small a frame "chokes" the screen; too large a frame makes the TV lost on a huge panel.

Basic frame proportions

There is a proven formula based on the TV diagonal:

Frame width = TV diagonal × 1.5–1.8
Frame height = TV diagonal × 1.2–1.5

Calculation examples:

TV 55 inches (140 cm diagonal):

• Frame width: 140 × 1.6 = 224 cm (optimal 220–240 cm)

• Frame height: 140 × 1.3 = 182 cm (optimal 180–200 cm)

TV 65 inches (165 cm diagonal):

• Frame width: 165 × 1.6 = 264 cm (optimal 260–280 cm)

• Frame height: 165 × 1.3 = 215 cm (optimal 210–230 cm)

TV 75 inches (190 cm diagonal):

• Frame width: 190 × 1.6 = 304 cm (optimal 300–320 cm)

• Frame height: 190 × 1.3 = 247 cm (optimal 240–260 cm)

These proportions create a visually balanced composition, where the TV does not dominate the decor, yet is not lost within it.

Distances from screen edges to molding

The molding should not be flush against the screen — there must be gaps, creating space around the equipment.

Minimum distances:

• Sides: 20–30 cm from screen edge to inner molding edge

• Top: 25–35 cm

• Bottom: 30–40 cm (more than top for visual stability)

Optimal distances:

• Sides: 30–40 cm

• Top: 35–45 cm

• Bottom: 40-55 cm

Increased margins (for large rooms and large TVs):

• Sides: 40-60 cm

• Top: 45-60 cm

• Bottom: 55-70 cm

Large margins create a sense of airiness, make the composition more monumental, suitable for high ceilings and spacious living rooms. Small margins create a more compact, intimate composition, suitable for small rooms.

Molding width in the composition

The moldings that form the frame should also be proportional to the size of the composition.

For TVs up to 50 inches:
Molding width: 40-60 mm
Relief depth: 8-15 mm

For TVs 50-65 inches:
Molding width: 60-80 mm
Relief depth: 12-20 mm

For TVs 65 inches and above:
Transform your TV zone from a technical nook into an architectural accent. Let every evening, including watching TV, be more than just a black rectangle on an empty wall — let it be a thoughtfully composed scene where technology, architecture, and light create a unified, harmonious whole. Because a good interior is when beauty and function are inseparable, when form follows function, and function is dressed in perfect form.
Relief depth: 15-25 mm

A thin molding in a large frame looks unexpressive, while a wide molding in a small frame appears crude and disproportionate.

Double and triple frames

To create a richer composition, use a double or triple frame — multiple molding contours arranged concentrically.

Double frame:

• Inner contour (closer to the TV): molding width 40-50 mm

• Outer contour: molding width 60-80 mm

• Distance between contours: 8-15 cm

Creates a classic architectural composition typical of museum frames and palace interiors.

Triple frame:

• Inner contour: 30-40 mm

• Middle contour: 50-60 mm

• Outer contour: 70-90 mm

• Distance between contours: 6-10 cm

A more grandiose solution, suitable for large rooms and luxurious interiors in the neoclassical or art deco style.

Asymmetric compositions

A classic frame is symmetrical — the TV is centered strictly, with equal margins on all sides. However, asymmetric solutions are also possible, creating a more dynamic composition.

Option 1: TV shifted left or right

To the right or left of the screen, a large empty zone of the frame remains, which can be used to place decor (paintings, posters, photos), open shelves with books or decorative items.

Option 2: TV shifted upward

Below the screen, a wide zone remains, which can be used for placing a fireplace, decorative elements, or a low console with open shelves.

Option 3: Extended frame on one side

The molding frame extends beyond symmetry, covering an adjacent wall or zone. For example, the frame to the right of the TV expands to include a bookshelf or shelving unit.

Asymmetry requires a professional sense of balance — an unsuccessful solution appears random and disharmonious. But when executed properly, it creates a modern, lively composition.

Baseboard as the lower "shelf" of the composition: the foundation of visual structure

While the molding frame creates the vertical structure of the TV zone,with a classic profile creates a sense of solidity, reliability.it forms its horizontal base, linking the composition to the floor and the rest of the space.

Baseboard height and visual weight of the composition

The height of the baseboard in the TV zone should correspond to the scale of the entire structure. If the molding frame is large, heavy, and classical, but the baseboard is thin and inconspicuous, a visual imbalance occurs — the composition appears to float in the air, lacking a foundation.

Matching rule:

For a large molding frame (width 250+ cm, molding 80-100 mm), a heavy baseboard of 100-140 mm height is required. This creates visual weight, giving the impression that the structure "stands" on a solid foundation.

For a medium frame (width 180-250 cm, molding 60-80 mm), a baseboard of 80-100 mm height is suitable.

For a compact frame (width up to 180 cm, molding 40-60 mm), a baseboard of 60-80 mm height is sufficient.

Baseboard and TV console: continuity or contrast

Under the TV, a console is usually placed — for storing discs, remote controls, decorative items. And here arises the question: how does the baseboard interact with this furniture?

Option 1: Baseboard extends beyond the console

The console is pushed tightly against the wall, the baseboard extends beyond it and is not visible. Visually, the console becomes part of the wall, continuing the architectural composition. This option is preferable if the console is built-in or custom-made to the project.

Option 2: Console set back from the wall

A gap of 3-5 cm remains between the console and the wall, and the baseboard is visible. This creates a visual separation between the furniture and architecture, emphasizing that the console is a separate item. This option suits mobile furniture that can be rearranged.

Option 3: Console with its own plinth

The console has a high plinth (10-15 cm), which visually acts as an extension of the baseboard. In this case, the baseboard on the wall may be lower than the console’s plinth or equal to it, creating a single horizontal line.

Color coordination between baseboard and frame

The baseboard and frame molding should be color-coordinated. A classic solution is for both elements to be white (or one light shade), creating a unified architectural composition.

Possible schemes:

White frame + white baseboard - classic elegance, clear graphics against a colored wall.

Dark frame + dark baseboard - dramatic modern solution, suitable for light walls and creates strong contrast.

Wood-style frame + wooden baseboard - naturalness, warmth, suitable for eco-styles and Scandinavian interiors.

Contrasting scheme (white frame + dark baseboard or vice versa) is possible, but requires a professional approach - contrast must be supported by other interior elements.

Baseboard as a boundary of functional zones

In open floor plans, where the living room is combined with the kitchen or dining area, the TV zone often occupies one wall, while other zones occupy other parts of the space. Baseboard helps visually define boundaries.

If the TV zone uses a baseboard of one color (e.g., dark wood-style), and the rest of the living room uses another (white), this creates an unobtrusive yet effective zoning. The boundary runs at the corner where the baseboard color changes.

Similarly, you can vary the height of the baseboard: in a formal TV zone - a tall classic baseboard 120 mm, in the rest of the space - a more modest 80 mm.

Lighting accents: play of light and shadow in molding architecture

Proper lighting transforms molding frames from static decor into a living, dynamic composition that changes throughout the day and depending on the lights turned on.

Hidden backlighting behind moldings

Modern technology - LED strip placed behind moldings along the perimeter of the frame. Light is directed toward the wall, creating a soft glow around the composition.

Installation technology:

Moldings are mounted not flush against the wall, but with a 15-20 mm gap. The LED strip is placed within this gap. When viewed directly, the strip is not visible, but the light reflecting off the wall creates the effect of a floating frame.

For this solution, moldings of sufficient width (minimum 60 mm) are needed to hide the light source. The strip is placed closer to the wall, on the back side of the molding.

Light color:

Warm white (2700-3000K) creates a cozy, homey atmosphere, suitable for classic interiors.

Neutral white (4000K) is versatile, suitable for most styles.

Cool white (5000K+) creates a technological, modern atmosphere, suitable for high-tech and minimalist styles.

RGB backlighting allows changing color according to mood, but requires caution - colored light may appear cheap and inappropriate.

Directional spotlights on the frame

Spotlights or track lighting on the ceiling can be directed at the molding frame, highlighting its relief and creating shadows.

Placement rules:

Light fixtures are placed 80-120 cm from the wall, angled 30-45 degrees toward the surface. This creates expressive shadows from protruding moldings.

Light fixture power should be moderate (7-10 W LED) - the goal is not to illuminate the room, but to create an accent. Too bright light will cause glare on the TV screen.

Dimmers are recommended to adjust brightness. During TV viewing, backlighting is dimmed, and otherwise can operate at full power.

Backlighting shelves and niches

If there are open shelves or niches within the molding frame near the TV, backlighting adds functionality and beauty.

LED profiles are placed along the top edge of shelves, light directed downward. Items on shelves - books, decor, souvenirs - are illuminated. This creates a multi-level lighting composition: ambient room light, frame backlighting, shelf backlighting.

Ambient backlighting for TV

Some modern TVs have built-in ambient backlighting (Philips Ambilight and similar) - LED strips around the screen projecting colors onto the wall that match the image on the screen.

This technology creates an immersive effect, reduces eye strain, and makes viewing more comfortable. However, it requires a specific wall treatment.

Ideal wall for ambient lighting:

Smooth, matte surface in light color (white, light gray, beige). On such a wall, ambient lighting colors reflect most cleanly and brightly.

The distance from the edge of the screen to the molding should be sufficient (minimum 30 cm) so that the lighting is not cut off by the frame and can spread freely across the wall.

Textured walls (decorative plaster, relief wallpaper, 3D panels) distort ambient lighting, making it blurry.

Lighting scenarios for the TV zone

Professionally designed lighting implies several lighting scenarios, switched depending on the situation:

Scenario 1: Watching TV

• Main light is off

• Frame backlight dimmed (20-30% brightness)

• TV ambient lighting is on

• Result: comfortable viewing without glare, but with sufficient ambient light

Scenario 2: Evening relaxation

• Main light is off

• Frame backlight at full power

• Shelf backlight is on

• Result: soft, diffused light creating a cozy atmosphere

Scenario 3: Daytime

• All backlights are off

• Only natural light is active

• Result: the molding frame is perceived through natural shadows and light from windows

Scenario 4: Hosting guests

• Main light is on

• Frame backlight at 50% brightness

• Result: TV zone as an architectural accent, but not a dominant feature of the space

Layout examples: from minimalism to classic

Let’s consider specific layout options for the TV zone using molding and baseboards for different styles and TV sizes.

Layout 1: Minimalist frame for modern interior

Initial Data:

• 55-inch TV (140 cm diagonal)

• Modern interior, light tones

• Ceiling height 2.7 m

Solution:

• Single rectangular frame made of 60 mm wide molding, simple rectangular profile

• Frame size: 220 cm (width) x 180 cm (height)

• Setbacks from screen: 35 cm on sides, 40 cm above, 50 cm below

• Molding and baseboard painted in matte white

• Baseboard 80 mm high, simple profile

• Wall inside the frame painted one tone darker than main walls

• Hidden LED backlight behind moldings, warm white light

Effect: minimalist, elegant composition where the TV is integrated into the space but not overloaded with decor.

Layout 2: Classic double frame

Initial Data:

• 65-inch TV (165 cm diagonal)

• Neoclassical interior

• Ceiling height 3.0 m

Solution:

• Double frame: inner contour 50 mm molding, outer 80 mm

• Distance between contours 12 cm

• Overall size of outer frame: 280 cm (width) x 230 cm (height)

• Setbacks from screen to inner contour: 40 cm on sides, 45 cm above, 60 cm below

• Classic profile moldings with rosettes and coves

• Baseboard 120 mm high, classic profile, coordinated with moldings

• All elements painted in glossy white

• Wall inside the frame with light beige decorative plaster

• Directional backlighting on frame from ceiling spotlights

Effect: grand, parade-like composition typical of classical interiors, where the TV zone becomes an architectural accent in the room.

Layout 3: Asymmetric composition with shelves

Initial Data:

• 55-inch TV

• Modern classic

• Ceiling height 2.8 m

Solution:

• TV shifted left from center of frame

• Overall frame: 300 cm (width) x 200 cm (height)

• Left of TV: setback 30 cm

• Right of TV: empty zone 80 cm, with three horizontal shelves (wooden, matching baseboard)

• Molding 70 mm wide, moderately classic profile

• Baseboard 100 mm, wooden (oak), oiled

• Moldings painted white

• Shelf lighting with LED profiles from below

Effect: dynamic, lively composition where the TV zone combines viewing function with storage and decor display.

Layout 4: Full-wall scaled panel

Initial Data:

• Television 75 inches (190 cm diagonal)

• Spacious living room, modern classic style

• Ceiling height 3.2 m, wall width 4.5 m

Solution:

• Full-wall false panel from floor to ceiling, corner to corner

• Television centered on the panel

• Panel divided by moldings into symmetrical sections: 3 vertical rectangles

• Central rectangle (with TV): 200 cm width

• Side rectangles: each 115 cm

• In side rectangles: lower part — closed cabinets (80 cm height), upper part — open shelves

• Moldings 80 mm wide, classic profile

• Baseboard 140 mm, heavy, wooden

• All moldings white, baseboard in natural wood color

• Integrated lighting: hidden behind moldings, shelf lighting, directional spotlights

Effect: monumental, architectural composition, transforming the entire wall into a single built-in cabinet-shelf with integrated TV zone.

Layout 5: Minimal with wooden cladding

Initial Data:

• Television 65 inches

• Scandinavian style

• Ceiling height 2.7 m

Solution:

• Rectangular panel 240 cm x 200 cm, clad with wooden strips (strip width 40 mm, gap 10 mm)

• Television mounted at the center of the panel

• Thin molding 40 mm, simple profile, painted white, around the panel perimeter

• Baseboard 70 mm, white, simple profile

• Light-colored wood strips (birch, pine), oiled

• Hidden backlight behind panel (LED strip behind strips), creating a floating structure effect

Effect: naturalness, warmth of wood, minimalist aesthetics characteristic of Scandinavian interiors.

FAQ: answers to frequently asked questions

Is it necessary to install a false panel, or can moldings be mounted directly on the wall?

Moldings can be mounted directly on the wall if the wall is perfectly flat and there is no need to conceal utilities. However, a false panel offers more options: concealing wires, placing equipment, built-in lighting. For simple cases (only a TV, without additional equipment), moldings on the wall are sufficient.

What thickness should the false panel have?

Minimum thickness 50 mm (for wiring and mounting the TV). Optimal 80-100 mm (for outlets, cable channels, lighting). If niches for equipment are needed, thickness increases to 150-250 mm at the bottom.

How to calculate the height for mounting the TV?

The center of the screen should be at eye level for a seated person. For a standard sofa, this is 100-120 cm from the floor. If watching TV while lying or semi-laying, it can be lowered to 90-100 cm. For kitchens or bedrooms, where viewers are standing or on a high bed, it can be raised to 130-140 cm.

Which material is better for moldings - polyurethane or plaster?

For the TV zone, polyurethane is optimal: lightweight, moisture-resistant, does not crack, easy to install. Plaster is heavier, requires more complex installation, but looks more noble. For gypsum board false panels, polyurethane is preferable - it adheres better to such a base.

Do polyurethane moldings need to be painted?

Polyurethane moldings are usually supplied in basic white color, but for the best result, they should be painted with quality paint. This equalizes the color, creates a more noble surface, protects against dirt. Use acrylic or latex paint for interior work.

How often should the TV zone be updated when changing the TV?

If the frame is initially designed with a margin (40-50 cm clearance from the screen), it will withstand several generations of TVs. TV sizes grow slowly, and a frame designed for 55 inches with good clearance will work for 65 inches. Full renovation is rarely needed - once every 10-15 years.

Can a TV be mounted on a gypsum board false panel?

Yes, but with reinforcement. At the mounting point for the TV bracket, there must be embedded elements (wooden beams or metal profiles) passing through the gypsum board and anchored to the main wall. Mounting the TV only to gypsum board is not possible - it cannot support the weight.

How to care for moldings in the TV zone?

Regular dry cleaning with a soft brush or cloth (once a month). Wet wiping with a slightly damp sponge (once every 3-4 months). Avoid abrasive cleaners - they scratch the surface. Polyurethane is not afraid of moisture and can be easily cleaned with regular household cleaners.

What color should the wall inside the frame be - the same as the main walls or different?

Both options work. The same color creates a unified space. Contrasting (1-2 tones darker or another shade) highlights the TV zone, making it an accent. Popular solution: main walls light gray, inside the frame dark gray. Or main walls beige, inside the frame chocolate.

Is ventilation needed for the TV behind a decorative panel?

Modern LED TVs heat up almost negligibly, ventilation is not critical. However, if the TV is placed in a niche with limited space around it (less than 10 cm on all sides), ventilation openings at the top and bottom are desirable for air circulation. For equipment in enclosed niches (set-top boxes, receivers), ventilation is mandatory.

Conclusion: order is born from chaos

The TV zone is a zone of paradox. On one hand, it contains all electronics, all wires, all technological and utilitarian elements. On the other hand, it is the compositional center of the living room, the focal point where all gazes are directed. This paradox can only be resolved through thoughtful architecture, wherePolyurethane wall decorit transforms the technical zone into an aesthetic object.

Frames made ofmoldings in interior designare not just decorative elements, but functional solutions that allow concealing utilities, organizing equipment storage, creating visual structure. They integrate modern electronics into classic or neoclassical interiors, making the black screen not a foreign element, but part of the architectural composition.

with a classic profile creates a sense of solidity, reliability.In this system, the base plays the role of a foundation, a visual base that connects the vertical composition with the horizontal plane of the floor. Without a properly selected baseboard, even an ideal molding frame will appear incomplete, floating in the air.

Light accents add a third dimension - time. The composition changes throughout the day: during the day, natural light works, revealing the relief of moldings through natural shadows. In the evening, built-in lighting turns the frame into a floating glowing outline. At night, ambient TV lighting creates dynamic illumination corresponding to the content on the screen.

The main rule for an organized TV zone is to plan it as an architectural project, not as a random placement of equipment. Start by planning the utilities: where will the outlets be, how will the wires run, where will additional equipment be placed. Then determine the size of the molding frame, proportional to the TV and room size. Coordinate the height and profile of the baseboard with the molding frame. Design lighting scenarios for different situations.

The result of such efforts is a TV zone that does not look like a collection of gadgets on the wall, but as a thoughtfully designed architectural detail, an organic part of the interior. A zone where there is no chaos of wires, no visual noise, no sense of technical incompleteness. Only order, structure, harmony - qualities that distinguish professional interior design from amateur DIY work.

STAVROS Company offers a full range of materials for creating an ideal TV zone: moldings of any profiles and sizes, from minimalist modern to richly decorated classic. Wooden baseboards of various heights and wood species. Corner elements, decorative overlays, everything necessary for creating complex compositions. Professional consultations will help select elements that are coordinated in style, scale, and color.

TV zone without chaos: molding frames and neat baseboards | Company Stavros