Apartment walls are the canvas on which the interior is created. An empty plane painted in a neutral color is functional but impersonal.Polyurethane wall molding photoswhich inspires thousands of apartment owners, transforms a standard space into a personal statement. Molding frames divide the wall into panels, creating a classic structure. Decorative overlays add ornamental accents. Doorway trims complete the architectural composition. It's not difficult, not prohibitively expensive, and doesn't require a full renovation from floor to ceiling. All it takes is a thoughtful layout, correctly selected elements, and careful installation. This article breaks down real projects with interior photos, specific layout schemes for different rooms, and practical advice on combining molding with other materials.

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Visual gallery: how molding works in real interiors

Living room with molding panels: a classic that never goes out of style

A 25 m² living room in a standard layout apartment. The goal was to create a classic interior without major renovation. The walls were already painted light gray. The solution: molding panels on the accent wall behind the sofa.

Implementation scheme: a wall 4 meters long and 2.7 meters high was divided into three vertical sections. Each section is a rectangular frame made of 70 mm wide moldings. Panel dimensions: 120 cm wide, 200 cm high, with 20 cm between panels and 20 cm indents from the wall edges. The moldings were painted the same color as the wall, creating a tonal relief—a play of light and shadow without contrast.

Visual effect: the wall gained structure and stopped being flat. The panels create a vertical rhythm, visually raising the ceiling. A 220 cm wide sofa was placed exactly in the center of the middle panel—compositional symmetry gives a sense of order and completeness. Wall sconces were placed in the centers of the side panels, with light emphasizing the molding relief.

Materials:Polyurethane moldings for walls70 mm wide profile, 2-meter strip length. For three panels, 18 meters of molding were needed (9 strips). Acrylic mounting adhesive: 3 tubes of 310 ml each, white acrylic sealant: 1 tube for sealing joints, matte acrylic paint: 0.5 liters for tinting the moldings to match the wall color.

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Bedroom with textile inserts inside molding frames

An 18 m² bedroom with the bed's headboard against an accent wall. The interior is in French classic style with soft tones (powder, beige, cream). The goal was to create an elegant accent wall without wallpaper.

Solution: the wall behind the bed (3.5 meters wide, 2.7 meters high) was decorated with two large molding panels, each 140×180 cm, positioned symmetrically relative to the center of the bed. Inside each panel—upholstery with quilted textile (dusty rose velvet with tufting). The 80 mm wide moldings were painted in a beige-golden shade (tinted acrylic paint + light gilding on the raised parts of the relief).

Visual effect: the textile inside the frames creates softness, tactility, and coziness. The moldings frame the textile panels like a mat frames a picture—clear boundaries, compositional completeness. The 180 cm wide bed is positioned exactly between the panels. Bedside lamps hang over the corners of the bed, their light creating highlights on the golden moldings.

Materials: 80 mm wide polyurethane moldings with classic relief—16 meters (8 strips of 2 meters each). Velvet fabric: 4 meters for upholstering two panels. Plywood or 10 mm thick MDF for the textile panel base. 20 mm foam for softness. Tufting buttons: 40 pieces. Mounting adhesive: 2 tubes, matte acrylic paint in beige shade: 0.3 liters, gold paint (acrylic metallic): 50 ml for gilding.

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Hallway with high baseboards and vertical moldings

A narrow hallway 6 meters long, 1.2 meters wide, 2.7 meters high—a typical layout. The goal was to visually expand the space and add architectural expressiveness.

Solution: instead of standard 70 mm high baseboards, 150 mm high baseboards were installed. They were painted two shades darker than the walls (walls: light beige, baseboards: coffee with milk). Every 1.5 meters along the hallway length, 50 mm wide vertical moldings were installed on the walls, running from the top edge of the baseboard to the ceiling cornice. This creates a rhythm of vertical lines that visually raise the ceiling.

Visual effect: the high baseboard grounds the space, creating a visual foundation. The dark baseboard color contrasts with the light walls, making the space more graphic. The vertical moldings break up the long wall into sections, so the hallway no longer feels like an endless tunnel. The eye catches the verticals, making the space seem taller.

Materials: 150 mm high polyurethane floor baseboard—12 meters (6 strips). 50 mm wide vertical moldings—4 pieces of 2.5 meters each (from baseboard to cornice), total 10 meters (5 strips). 100 mm wide ceiling cornice—12 meters. Adhesive: 4 tubes, paint in two shades (light for walls and moldings, dark for baseboards): 2 liters.

Layout schemes: from simple frames to complex compositions

Classic symmetrical panel grid

The most common scheme is a symmetrical grid of rectangular panels on one wall. Suitable for living rooms, bedrooms, dining rooms in classic, neoclassical, and American styles.

Parameters:

  • Number of panels horizontally: 2-4 depending on wall width. For a 4-meter wall—3 panels, for a 3-meter wall—2 panels.

  • Number of panels vertically: 1-2. One tier (large panels from baseboard to cornice) or two tiers (upper and lower, separated by a horizontal molding at 120-140 cm from the floor).

  • Panel dimensions: proportion close to the golden ratio—height 1.5-1.6 times greater than width. Panel examples: 100×150 cm, 80×120 cm, 120×180 cm.

  • Molding width: 60-100 mm for large panels (size 100+ cm), 40-60 mm for medium panels (size 60-100 cm), 30-40 mm for small panels (size up to 60 cm).

  • Distance between panels: 15-30 cm. The larger the panels, the greater the distance.

Calculation example: wall 4.0 meters wide, 2.7 meters high. Three panels in a row. Distance from wall edge to first panel: 20 cm, between panels: 20 cm. Available width for panels: 400 - 20×2 (edges) - 20×2 (gaps) = 320 cm. Width of one panel: 320 / 3 = 107 cm. Panel height (considering 1:1.5 proportion and indents from floor and ceiling): 270 - 20 (from floor) - 20 (from ceiling) = 230 cm. But proportion 107×230 is too elongated. Correction: make panel 100×180 cm, giving proportion 1:1.8—acceptable. Bottom indent: 40 cm (from floor to panel bottom), top indent: 50 cm (from panel top to ceiling).

Modern asymmetrical composition

For modern interiors (contemporary, Scandinavian minimalism with classic elements, eclectic), an asymmetrical layout works. Panels of different sizes, not aligned on axes, create dynamism.

Example: wall 3.5 meters × 2.7 meters. Two panels—one large 140×200 cm on the left, one smaller 80×120 cm on the right, positioned higher than the large one. The large panel is placed from the floor (20 cm indent) to a height of 2.2 meters. The small panel is placed on the right at a level of 80-200 cm from the floor, meaning it starts higher than the large one. This creates a stepped composition.

Filling: inside a large panel — wallpaper with a large graphic pattern (geometry, stripes). Inside a small panel — painting with a contrasting color (if the wall is light gray, then the panel is dark gray or graphite). Moldings are narrow 40-50 mm, painted the color of the wall, creating tonal relief.

Horizontal layout: dividing the wall into tiers

Horizontal layout divides the wall in height into two or three tiers using horizontal moldings. A classic technique for forming panels 100-140 cm high from the floor.

Scheme:

  • Lower tier (panel zone): from the floor to a height of 100-140 cm. At this height, a horizontal molding runs (or a wide molding-shelf 100-150 mm wide). Inside the lower tier — either vertical panels (molding frames sized 60×100 cm), or solid painting/wallpaper of a contrasting color.

  • Upper tier: from the horizontal molding to the ceiling. Usually painted lighter than the lower tier, or wallpapered with a small pattern. May contain small molding frames or remain smooth.

Function: a horizontal molding at the level of 120-140 cm visually encircles the room, creating a sense of architectural completeness. The lower tier is darker — practical (less visible dirt, wear), the upper tier is lighter — visually raises the ceiling.

Example: walls 2.7 meters high. Horizontal molding at a height of 130 cm from the floor. The lower tier is painted dark blue (American classic style), divided by vertical moldings into 4-5 narrow panels around the perimeter of the room. The upper tier is painted light beige, without additional decor. Moldings are white, contrasting with the dark blue bottom and light top.

Living room as the compositional center of the apartment

Accent wall behind the sofa: how to create a focal point

Sofa — the main element of the living room. The wall behind the sofa is a natural place for an accent.Polyurethane molding on the wall in the living room photowhich shows dozens of options, turns this wall into an architectural work.

Option 1: large central panel. One large molding frame sized 200×200 cm or 180×220 cm (close to a square or a slightly elongated rectangle) is placed in the center of the wall behind the sofa. Inside the panel — wallpaper with a large pattern (damask, floral ornament, geometry), contrasting paint (e.g., emerald green against beige walls), textured plaster. The sofa is placed exactly in the center so that its back aligns with the center of the panel.

Option 2: three vertical panels. The wall is divided into three sections by molding frames sized 100×180 cm each. Inside the panels — identical filling (identical wallpaper, identical paint) or variable (the middle panel one color, the side panels another). A sofa 220-240 cm wide covers all three panels, creating integrity.

Option 3: panels + decorative overlays. Molding frames are complemented by decorative overlays in the corners or in the center. For example, in each corner of the frame — a corner overlay with a floral ornament sized 100×100 mm. In the center of the top rail of the frame — a central overlay 150×80 mm in the form of a rosette or cartouche. This enriches the composition with details, making it less strict.

TV zone: molding as a frame for the TV

TV on the wall — a modern reality. A black screen on an empty wall looks alien. Molding integrates the TV into the interior.

Option 1: molding frame around the TV. A rectangular frame made of moldings 60-80 mm wide frames the TV like a painting. The frame is 20-30 cm larger than the screen on each side. A TV with a 55-inch diagonal (screen width 123 cm, height 69 cm) is framed by a frame sized 170×120 cm. Moldings are painted to contrast with the wall (wall light, moldings graphite) or tonally (wall gray, moldings a shade darker). Inside the frame, the wall can be painted a different color or wallpapered.

Option 2: TV inside a large panel with shelves. The wall with the TV is designed as a library composition. A large central panel 200×240 cm contains the TV in the upper part, below — open shelves for decor, books, equipment. The panel is framed by a wide molding 100 mm. On the sides of the central panel — two narrow panels 60×240 cm with closed cabinets or decorative filling. The entire composition is symmetrical, creating a built-in wall unit without case furniture.

Option 3: TV against a relief 3D panel.Polyurethane decorative molding for wallsincludes not only moldings but also 3D panels with volumetric relief. The wall behind the TV is clad with 3D panels sized 60×60 cm with geometric or floral relief. The panels create texture, against which the TV looks organic. Additionally, the panel area can be framed with moldings around the perimeter.

Decorative elements: overlays, framings, pilasters

Overlays as ornamental accents

Decorative overlays made of polyurethane — elements sized from 50×50 mm to 300×300 mm with relief ornament (floral scrolls, rosettes, cartouches, geometric patterns). They are glued to walls, doors, furniture, creating local accents.

Application in molding panels: an overlay sized 120×120 mm is placed in the center of a molding frame sized 100×150 cm. This breaks the monotony of a smooth or monochrome surface inside the frame, adding a classic accent. Four overlays 80×80 mm are placed in the corners of the frame, emphasizing the geometry. One large overlay 200×150 mm can become an independent element above the headboard of a bed, above a chest of drawers, above a doorway.

Style and choice: for classic interiors, choose overlays with lush floral ornament (acanthus leaves, grapevines, rosettes). For neoclassical and art deco — geometric overlays (circles, polygons, stylized solar signs). For minimalism with classic elements — laconic overlays of simple shapes (ovals, rectangles with minimal relief).

Framing doorways: completing the architecture

A doorway without trims and decor is an unfinished detail.Polyurethane moldings for doorwaysturns the opening into an architectural portal.

Classical framing: vertical moldings 80-100 mm wide on the sides of the opening from the floor to the top rail of the opening. A horizontal molding rail of the same width above the opening. Corners are joined at 45 degrees (like a picture frame) or at 90 degrees (the horizontal rests on the verticals). A decorative overlay — a cartouche, keystone, or rosette — can be added above the horizontal rail to enhance the accent.

Portal with pilasters: instead of simple moldings on the sides of the opening, pilasters are installed — vertical elements with a base, body (shaft), and capital. Pilasters mimic columns, creating monumentality. Pilaster width is 80-150 mm, height equals the opening height. Above the opening is an entablature (a horizontal element mimicking a beam) that rests on the pilaster capitals. Such a portal is suitable for spacious apartments with high ceilings, interiors in the style of classicism, or empire.

Arched framing: if the opening is arched (semicircular top), the framing is done with flexible moldings that follow the radius of the arch. Flexible polyurethane molding is bent according to a template and mounted along the contour of the arch, creating a smooth frame. It can be complemented with a decorative keystone at the apex of the arch — a triangular or trapezoidal overlay that visually fixes the top point.

Pilasters: vertical accents for zoning

Pilasters are vertical decorative elements that mimic flat columns. They are attached to the wall, protruding 30-100 mm, creating relief and vertical rhythm.

Application in the living room: a pair of pilasters on either side of the fireplace (or a false fireplace, or TV area) creates a portal framing the focal point. Pilasters 2.4-2.6 meters high are installed from the floor to the ceiling cornice. A horizontal rail (entablature) is laid between the pilaster capitals, completing the composition. This is a classic technique that adds solemnity to the living room.

Space zoning: in a studio or large living room, pilasters are placed 3-4 meters apart along the perimeter, visually dividing the space into zones. They do not physically separate (like partitions) but create visual boundaries. The wall finish between pilasters can vary — different paint colors, different wallpapers — which emphasizes the zoning.

Combination with other materials: multi-level decor

Molding + wooden elements

Wooden baseboardin combination with polyurethane moldings on the walls creates an interesting contrast of textures and materials. Wood is warm, alive, with a natural texture. Polyurethane is smooth, painted, geometric. The contrast works.

Example: in a classic-style living room, a massive wooden baseboard 120 mm high made of oak, coated with oil in a natural shade (light brown with a pronounced texture) is installed. On the walls — polyurethane molding panels painted light gray. The ceiling cornice is polyurethane, white. The wood grounds the interior, polyurethane adds lightness. The materials do not compete but complement each other.

Combination of wooden door architraves and polyurethane moldings on walls: interior doors with wooden architraves 70 mm wide made of ash, painted white. Walls are decorated with polyurethane moldings 60 mm wide, also painted white. A unified color combines different materials, the difference in texture (wood with visible pores, polyurethane smooth) creates a nuance.

Molding + wooden slats (battens)

Wooden slats (battens) — a trend of recent years in interior design. Vertical or horizontal wooden slats 20-50 mm wide, installed with a spacing of 30-80 mm, create a rhythmic texture. The combination of slats and molding gives layering.

Example: an accent wall in the bedroom behind the headboard. The lower part of the wall (from the floor to a height of 140 cm) is clad with vertical wooden slats (oak, width 40 mm, spacing 60 mm, stained with dark brown oil). The upper part of the wall (from 140 cm to the ceiling) is painted light beige. A horizontal polyurethane molding 100 mm wide, white, runs along the boundary between the slats and the painted part. It creates a clear dividing line, emphasizing the transition from the textured zone to the smooth one.

Combination on the ceiling: the ceiling in the living room is decorated with a combination of a polyurethane cornice along the perimeter (width 120 mm, white) and wooden beams running across the center of the ceiling with a spacing of 80 cm (beams made of pine with a cross-section of 100×150 mm, painted in a natural light wood shade). The cornice creates a classic frame, the beams add a Scandinavian or country note, the combination of styles works in eclectic interiors.

Molding + patterned wallpaper

Filling the interior of molding panels with patterned wallpaper is a classic technique. Wallpaper draws attention, moldings frame, creating order.

Contrast rule: if the walls are painted in a neutral color (white, beige, light gray), use wallpaper with an expressive pattern (damask, large flowers, geometry, stripes) inside the panels. If the walls have a color (blue, green, terracotta), it's better to use contrasting solid colors or wallpaper with a small delicate pattern inside the panels.

Example 1: living room walls are painted light beige. The accent wall behind the sofa is divided into three molding panels 100×180 cm. Inside the panels — wallpaper with a black and white geometric pattern (hexagons, honeycombs). Moldings are white. The contrast of the graphic pattern and the neutral beige background creates modern dynamics in a classic frame.

Example 2: bedroom walls are painted dusty pink. The headboard area is decorated with a large molding panel 180×200 cm. Inside the panel — wallpaper with a small floral pattern in a silver shade on a pink background (tone-on-tone with the wall, but with a sheen). Moldings are painted white with a slight gilding. The delicate wallpaper pattern creates depth without being overwhelming.

Practical tips: from idea to implementation

How to choose molding width

Molding width depends on the panel size and room scale. A molding too narrow for a large panel will get lost, a molding too wide for a small panel will dominate.

Proportion rule: molding width should be 5-8% of the shorter side of the panel. Panel 100×150 cm — shorter side 100 cm, molding 50-80 mm. Panel 60×80 cm — shorter side 60 cm, molding 30-48 mm. This ensures a harmonious ratio of frame to interior space.

Room scale: in a room with a 2.5-meter ceiling, wide moldings 100+ mm will visually press down and lower the ceiling. Choose 50-80 mm. In a room with a 3.5-meter ceiling, narrow moldings 40-50 mm will get lost, choose 80-120 mm.

Painting moldings: tonal or contrast

Moldings can be painted the same color as the wall (tonal scheme) or in contrast (white moldings on colored walls, colored moldings on white walls).

Tonal painting: moldings the same color as the wall, or 1-2 shades darker/lighter. This creates a restrained relief, a play of light and shadow without color contrast. Suitable for minimalist, modern interiors where molding is a subtle hint at classicism, not its demonstration.Wall molding in a modern styleoften uses tonal coloring specifically.

Contrast coloring: white moldings on dark walls (graphite, blue, emerald) create graphic quality, clear lines, and a defined structure. This is a classic technique that emphasizes the geometry of the panels. Dark moldings (black, graphite, dark blue) on light walls are a rarer but effective technique that works in modern interiors with contrasting accents.

Material quantity calculation

Before purchasing, you need to accurately calculate how many meters of moldings, how many decorative overlays, and how much glue and paint will be required.

Calculating moldings for panels: determine the dimensions of all panels, calculate the perimeter of each panel, and add them up. For example, three panels 100×180 cm. Perimeter of one panel: (100+180)×2 = 560 cm = 5.6 meters. Three panels: 5.6 × 3 = 16.8 meters. Add 10-15% for trimming and reserve: 16.8 × 1.1 = 18.5 meters. Moldings are sold in 2-meter strips, so you need 18.5 / 2 = 9.25, rounded up to 10 strips (20 meters).

Glue calculation: approximately 40-60 ml of glue is used per 1 linear meter of molding with a width of 60-80 mm. For 20 meters of moldings: 20 × 50 ml = 1000 ml = 3-4 tubes of 310 ml.

Paint calculation: paint consumption on a relief surface of molding is higher than on a smooth wall. Coefficient 1.5-2.0. If paint consumption for a smooth wall is 0.1 l/m², then for molding it is 0.15-0.2 l/m². Area of moldings: 20 meters length × 0.08 meters width = 1.6 m². Paint consumption: 1.6 × 0.15 = 0.24 liters per one coat. Two coats: 0.5 liters.

Inspiring details: what makes an interior complete

Play of light on the relief

Molding lives in light. The relief of moldings, protrusions, and recesses of decorative overlays create shadows that change throughout the day depending on the angle of light incidence. In the morning, when the sun is low, side light gives long shadows, and the relief looks maximally expressive. During the day, with overhead light, the relief is softer. In the evening, with artificial lighting, the play of light depends on the placement of light fixtures.

How to enhance the effect: install wall sconces or spotlights so that the light runs along the wall (grazing light). This will emphasize the relief of the moldings and create dramatic shadows. Do not use only overhead diffused light—it kills the relief, making the molding appear flat.

Patina and gilding: accents of luxury

Polyurethane molding can be decorated not only with paint but also with patina, gilding, and silvering. This adds depth, an aging effect, and a sense of luxury.

Patination technique: base coat—light paint (white, cream, light gray). After drying, dark paint (brown, gray, black) diluted with glaze is applied into the recesses of the relief with a thin brush or sponge. Excess is immediately wiped off with a cloth, leaving a dark shade only in the recesses. This creates an aging effect and emphasizes the details of the ornament.

Gilding: gold paint (acrylic metallic) is applied with a thin brush to the protruding parts of the relief (tops of volutes, edges of leaves). Do not cover the entire surface with gold—accents are enough. Gold catches light, creates highlights, and makes the molding look precious. Works in classical, Baroque, and Empire interiors. In modern interiors, use gilding minimally or replace it with silvering or bronzing.

Combining styles: when eclecticism works

Molding is a classical element, but it works perfectly in eclectic interiors where classicism is combined with modernity. The key is balance.

Example: a Scandinavian living room with white walls, light wooden floors, minimalist furniture (sofa with simple shapes, coffee table on thin legs). On one wall—three molding panels sized 80×120 cm, painted white (matching the wall color). This is a classical element but presented minimally—no gilding, lush ornaments, or contrasts. Just relief and structure. Such molding is organic in a Scandinavian interior.

Rule: if the interior is modern, choose moldings with simple profiles (smooth moldings, minimal ornamentation), paint them tonally, and use geometric layout schemes (strict rectangles, symmetry). Avoid lush floral ornaments, gilding, and Baroque overlays—they will clash.

Frequently asked questions

How much does it cost to decorate a wall with polyurethane molding?

Cost depends on the complexity of the layout, number of elements, and panel sizes. For a wall 4 meters × 2.7 meters with three molding panels: moldings 20 meters at 250 rub/m = 5000 rub, glue 3 tubes at 300 rub = 900 rub, sealant 1 tube 250 rub, paint 0.5 l at 600 rub/l = 300 rub. Total materials 6450 rub. Professional installation (if not doing it yourself) 18-20 meters of moldings at 250 rub/m = 4500-5000 rub. Total costs 11000-11500 rubles. This is for one accent wall.

Can molding be glued onto wallpaper?

Not recommended. The glue will bond with the wallpaper, but the wallpaper may peel off the wall under the weight of the molding. The result—moldings falling off along with pieces of wallpaper. It is better to glue molding onto plaster or a painted wall. Or install the molding before wallpapering, trimming the wallpaper to the edge of the moldings.

What width of molding to choose for a small room?

For a room with an area of 12-18 m² and a ceiling height of 2.5-2.7 meters, choose moldings with a width of 50-70 mm. Wider ones (80-100 mm) will visually weigh down the space. For panels sized 60-80 cm, moldings of 40-60 mm are suitable.

How to combine molding with a stretch ceiling?

A stretch ceiling usually has a hidden batten to which the fabric is attached. A ceiling cornice made of molding is mounted not to the ceiling but to the wall, 3-5 cm below the ceiling level. A gap remains between the cornice and the ceiling, which can be used for hidden LED lighting. The light is directed upward onto the ceiling, creating a floating ceiling effect.

Does polyurethane molding need to be painted?

Molding is supplied white (the base color of polyurethane is milky white). If the white color is acceptable, painting is not mandatory. But painting offers advantages: you can choose any color to match the interior, matte or satin finish improves appearance (the factory surface can be slightly glossy), and paint protects against dust and dirt (a painted surface is easier to clean).

Can molding be used in wet areas (bathroom, kitchen)?

Yes, polyurethane is moisture-resistant, does not absorb water, does not swell, and does not rot. In the bathroom, you can install moldings, decorative overlays, and ceiling cornices. Important: use moisture-resistant glue and paint. Seal joints with silicone sealant (not acrylic), as it is more elastic and not afraid of water.

How to care for moldings?

Minimal maintenance. Every 2-3 months, remove dust with a soft dry brush or a vacuum cleaner with a brush attachment. If the molding is painted, you can wipe it with a damp cloth and mild detergent once a year. Do not use abrasive cleaners or stiff brushes—they scratch the paint.

How long does it take to install molding on one wall?

For a wall with three molding panels (surface preparation already done, wall is level, primed): marking 30-60 minutes, cutting moldings 1-1.5 hours, installation 2-3 hours, sealing joints with sealant (the next day after the glue sets) 1 hour, painting (2 days after installation) 2-3 hours in two coats with intermediate drying. Total pure working time 7-9 hours, spread over 3-4 days (due to waiting for the glue to set and the paint to dry).

Where to buy molding with delivery?

Polyurethane molding can be purchased in specialized online stores with delivery across Russia and Customs Union countries. Company STAVROS offers a full range of moldings, cornices, rosettes, decorative overlays, pilasters with courier delivery in Moscow and St. Petersburg (1-2 days) and via transport companies to regions (4-14 days). Delivery to Belarus, Kazakhstan, Armenia, Kyrgyzstan is carried out by international carriers within 7-21 days depending on the destination.

Conclusion: your interior, your rules

Photos of molding on walls— these are not just illustrations, but sources of inspiration, ready-made schemes that can be adapted to your spaces. Classic symmetrical panels, modern asymmetrical compositions, horizontal zoning with moldings, door frame trims, accent walls with textile inserts — each technique has proven effective in real projects.

Molding layout is not a science, but an art of proportions and balance. Panel sizes should correspond to the scale of the room, molding width — to panel sizes, paint color — to the overall interior palette. Break rules consciously, experiment, but remember: less is more. Three large panels are more effective than ten small ones. One accent wall is more expressive than molding on all walls.

Living room — the heart of the home, where molding works most effectively. An accent wall behind the sofa, decorated with molding panels with contrasting infill, creates a focal point, attracts attention. TV zone, integrated into the molding composition, ceases to be a foreign element, becomes part of the architecture. Decorative overlays, pilasters, door trims complement the picture with details that make the interior complete.

Combining molding with other materials — wooden skirting boards, slats, wallpapers, 3D panels — creates layering, depth, individuality. Don't be afraid to mix classic and contemporary, polyurethane and wood, smooth surfaces and textured. Contrasts of textures and materials create richness of perception, the interior doesn't look flat and monotonous.

Company STAVROS — a reliable partner in creating interiors with molding. Full assortmentdecorative elements made of polyurethanefor walls, ceilings, door openings: moldings with over 100 profiles of different widths (from 30 to 200 mm) and relief levels, decorative overlays hundreds of shapes and sizes (from miniature 50×50 mm to large 300×300 mm), pilasters and half-columns height from 1.5 to 3.0 meters, cornices, skirting boards, corner elements, flexible arch moldings.

High quality materials — polyurethane density 250-350 kg/m³, which ensures strength, clarity of relief, durability 20-30 years. All elements are primed with white primer, ready for installation or painting in any color. Tinting service to any shade according to RAL, NCS catalogs — over 2000 colors to choose from. Patination, gilding, silvering, creating decorative finishes — STAVROS implements any wishes for final finishing.

Consultations from professional designers will help choose the optimal layout scheme for your space, calculate the required number of elements, select molding width and panel sizes. We provide project visualization — you'll see how the wall with molding will look before work begins, can adjust the layout, change sizes, try different painting options.

Stock program in Moscow and St. Petersburg guarantees availability of main items, fast shipment on the day of order. Delivery in Moscow — 1-2 days, in St. Petersburg — 2-3 days, to Russian regions via transport companies SDEK, DPD — 4-14 days. International delivery to Customs Union countries (Belarus, Kazakhstan, Armenia, Kyrgyzstan) is carried out within 7-21 days depending on destination and chosen carrier.

STAVROS showrooms in Moscow and St. Petersburg — spaces where you can see materials in person, evaluate relief quality, compare different molding profiles, see examples of finished layouts, get professional consultation. Book a visit, come with your space plans, wall measurements — STAVROS designers will develop an individual solution on site.

Create interiors that reflect your individuality, tell stories, inspire every day. Transform standard apartments into spaces with character, style, soul. With quality polyurethane molding from STAVROS, beauty becomes accessible, and realizing the dream of a classic, neoclassical, eclectic interior — a reality. Your walls deserve more than just paint. Give them structure, relief, architecture — with STAVROS it's simple.