Article Contents:
- Appliqués: from utility to art
- Rosettes: radial symmetry in decoration
- Mascarons: faces in interior and facade
- Classic decoration: canons and interpretations
- Facade decoration: protection and beauty
- Interior accents: where and how to apply
- Installation of decorative elements: quality technology
- Care and preservation of decorative elements
- Combining with other materials
- Styles and directions in wooden decoration
- Economic Aspects and Supplier Selection
- Conclusion: details create the whole
Decorative elements made of natural wood are not just ornaments masking flaws or filling voids. They are the language through which interiors speak, tools for creating atmosphere, and a means to transform a standard space into something unique. WhenBuy decorative elementsbecomes a deliberate decision rather than an impulsive purchase, true creativity begins. A carved appliqué on a kitchen cabinet facade transforms standard furniture into a unique piece. A ceiling rosette organizes the space around a chandelier, creating a visual focal point. A mascaron above a door adds theatricality, turning an ordinary doorway into a portal.
Wood as a decorative material possesses unique properties. It is warm to the touch, alive in texture, noble in aging. Polyurethane and plastic may imitate shapes, but they cannot convey the tactile quality, do not age gracefully, and lack the energy that natural solid wood provides.Wooden InlaysHandcrafted or produced on high-precision CNC machines retain the memory of the wood from which they were carved. Every annual ring, every color change — this is the story of growth that cannot be faked.
Appliqués: from utility to art
Decorative appliqués serve a dual function — they mask and decorate. On furniture facades, they cover the joints of panels, hide fasteners, and correct visual imperfections. Simultaneously, the appliqué becomes the main decorative accent — a central carved composition on a cabinet door attracts attention and sets the tone for the entire set. Appliqué sizes vary from miniature corner elements measuring five by five centimeters to monumental panels measuring one meter by one and a half meters for fireplace portals or wall panels.
Central appliqués are placed in the geometric center of the facade, creating a symmetrical composition. This may be an oval cartouche with vegetal ornament, a rectangular panel with geometric carving, or a circular rosette with petal design. The central appliqué acts as a visual anchor around which the entire facade composition is built. Classic interiors feature symmetrical vegetal motifs — acanthus leaves, oak branches, grapevines. Baroque uses lush volutes, rocaille, and images of amorini. Neoclassicism leans toward geometry, laurel wreaths, and military insignia.
Corner appliqués solve the problem of decorating furniture corners, frames, panels. They can be symmetrical — for internal corners where two boards meet at ninety degrees — or asymmetrical — for external corners where a transition from one plane to another is needed. A corner appliqué may be simple, replicating the profile of the main board, or complex, transforming a technical joint into a decorative accent.Decorative InsertsCorner appliqués are especially important in furniture manufacturing, where they mask complex joints and add completeness.
Pediments and crowns — vertical appliqués crowning facades, cabinets, doors. They create an architectural composition reminiscent of classical porticos and building pediments. A triangular pediment above a cabinet transforms it into a kind of temple, adding monumentality. An arched crown softens straight lines, creating vertical dynamics. A carved pediment may include complex compositions with a central cartouche, side volutes, and vegetal elements.
Linear appliqués — elongated elements framing the perimeter of facades, panels, and panels. They create a frame, emphasize boundaries, and add volume. A simple linear appliqué may be a smooth board with a beveled edge, creating a subtle shadow line. A complex one includes a milled profile with grooves, protrusions, and combinations of flat and rounded sections. Linear appliqués connect at corners at forty-five degrees, forming a continuous frame, or butt-joint using corner decorative elements.
Three-dimensional carved appliqués with deep relief become independent art objects. The depth of carving reaches fifteen to twenty millimeters, creating a multi-layered composition where elements overlap, creating an illusion of depth. Such appliqués are crafted by experienced carvers by hand or on five-axis CNC machines capable of reproducing the most complex three-dimensional geometry. Three-dimensional carving requires high-quality wood without knots or defects, as any flaw will be noticeable.
Rosettes: radial symmetry in decoration
Ceiling rosettes were already discussed in previous materials, but their role in the system of decorative elements requires additional attention.decorative rose outlets— these are centering elements organizing space around themselves. On the ceiling, they create a focal point; on the wall — an accent; on furniture facades — a decorative spot breaking the monotony of the surface. The radial symmetry of rosettes is based on the oldest archetypes — sun, flower, mandala — forms intuitively understandable and pleasing to the eye.
Furniture rosettes are smaller than ceiling ones, usually five to twenty centimeters in diameter. They are mounted on cabinet doors, bed headboards, and chest facades. A central rosette on a door becomes a visual center around which the rest of the decoration is arranged. Often, a rosette combines with linear appliqués, creating a framed composition — a rectangular frame with a circular rosette in the center. This is a classic technique that works reliably in interiors of any scale.
Corner rosettes — quarter circles placed in corners. They soften sharp angles, creating a smooth transition between planes. Four corner rosettes at the corners of a rectangular panel transform it into a composition with soft angles. On building facades, corner rosettes decorate the junctions of cornices, creating decorative transitions between vertical and horizontal elements.moldingsIn interiors, they function as connecting elements between
Oval and elliptical rosettes create dynamism and direction. They are suitable for elongated surfaces — long panels, narrow facades, horizontal friezes. The oval is softer than a circle, creates movement, visually elongates or widens the surface depending on orientation. The carving on oval rosettes often repeats the shape — elongated leaves, stretched petals, asymmetrical volutes.
Composite rosettes are assembled from several elements — a central medallion and surrounding rings, segments, additional decorative details. This provides flexibility — you can create a rosette of the required size by combining standard elements. A composite rosette is lighter than a monolithic one of the same diameter, easier to install — you can first install the center, then sequentially add surrounding elements, adjusting their position.
High-relief carved rosettes with depth up to twenty to thirty millimeters create dramatic light-and-shadow effects. Under side lighting, each petal and swirl casts a shadow, making the rosette appear as a volumetric sculpture. Such items require skilled craftsmanship and precise installation — any deviation from the plane will be noticeable. Deep carving is more fragile and requires careful handling during transport and installation.
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Mascaron: faces in interior and facade
Mascaron — a decorative applique in the form of a human, animal, or mythological creature's face. It is one of the oldest architectural motifs, used already in antiquity. Mascaron adorned castle doors, fountains, building cornices. In modern decor, they return as an element adding individuality and historical depth. A mascaron above a door creates a sense of protection, presence of a guardian spirit. On furniture, mascarons work as unusual accents, introducing theatricality.
Classic mascarons depict faces in an antique style — gods, heroes, muses. Facial features are stylized and generalized, creating an idealized image. Hair is treated decoratively, in wavy strands, often transitioning into vegetal ornament, acanthus leaves. Such mascarons are suitable for classical interiors, where there is much stucco, columns, pilasters. They create an atmosphere of an ancient temple or palace.
Grotesque mascarons depict fantastical creatures — satyr masks with horns, sea deities with seaweed beards, chimeras with combined features of different animals. Grotesque allows exaggeration, caricature, play with form. Such mascarons add humor, lightness, turning decor into a game. They are characteristic of Renaissance and Baroque interiors, where inventiveness and fantasy were valued.
Animal mascarons use heads of lions, eagles, bulls, rams. The lion — symbol of strength and power, the eagle — of freedom and majesty, the bull — of strength and fertility, the ram — of perseverance. An animal mascaron can be realistic, detailed, or stylized, generalized into a sign. On building facades, animal mascarons were often placed above entrances as symbols of protection. In interiors, they work as powerful visual accents.
Mascaron sizes vary from miniature five by seven centimeters for furniture handles to large thirty by forty centimeters for facade decoration. A small mascaron — a delicate accent, a large one — a dominant compositional element. The relief may be low, almost flat, where the face is indicated by lines, or high, almost a round sculpture, where the head protrudes from the plane by five to ten centimeters.
Mascaron installation requires attention to orientation and height. The face must be strictly vertical; any tilt creates an odd impression. The mounting height is determined by function — above a door, the mascaron should be at the level of the upper casing or slightly higher. On furniture — at the center of composition or in the upper third of the facade. Mounting is done with glue and additional fixation using hidden screws, especially for heavy relief mascarons.
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Classic decor: canons and interpretations
Classic style in decor is based on antique motifs reinterpreted during the Renaissance and codified by classicism. Vegetal motifs — acanthus, laurel, oak, grape — form the basis of ornamental language. Acanthus — a stylized Mediterranean plant with carved leaves — is the main motif of the Corinthian capital, becoming a symbol of classic decor. Laurel — an attribute of victors and poets, its wreaths and branches decorate friezes and panels.
Volutes — spiral-shaped scrolls originating from Ionic capitals. They create movement, direct the gaze, connect compositional elements. A volute may be a large dominant feature or a small accent. Paired volutes radiating from the center — a classic scheme used in cartouches, pediments, corner appliques. S-shaped volutes create dynamism, C-shaped — stability.
Rosettes — stylized flowers with radial symmetry. They fill space, create rhythm, serve as compositional centers. A rosette may be simple, with eight to twelve petals, or complex, with several rows of petals of different shapes. Alternating rosettes and other elements create friezes — horizontal decorative bands, traditional in classical architecture.
Garlands and festoons — images of flowers, fruits, ribbons, gathered into hanging compositions. This motif comes from ancient festivals, where buildings were adorned with live garlands. In carving, a garland creates a sense of abundance and festivity. A festoon — a hanging drapery of fabric, also borrowed from antiquity. Carved festoons imitate fabric folds, creating an illusion of softness in hard wood.
Geometric elements of classicism — meander, Ionic, beads, ovals. Meander — a broken line forming a continuous ornament, symbol of eternity and continuity. Ionic — egg-shaped elements alternating with arrows, characteristic of the Ionic order. Beads — a row of round elements, often combined with discs. Ovals — oval elements divided by darts. These motifs are used to create borders, frames, dividing lines.
Symmetry — a fundamental principle of classic decor. Composition is built around a central axis, elements mirror each other left and right. This creates a sense of order, stability, harmony. Asymmetry is allowed only in details; the overall scheme is always symmetrical.Wooden cornicesandMoldingsIn classic style, symmetry principles and use of canonical motifs are also followed.
Facade decor: protection and beauty
Wooden facade decor performs a dual function — it decorates and protects. Casing boards cover window and door joints, preventing water ingress. Frieze boards under the eaves protect ends of logs or beams from weather.House Carving— a tradition of Russian wooden architecture, where each element had not only decorative, but also protective, and often ritual significance.
Chimneys — boards covering roof ends at the pediment. They prevent wind and snow from entering under the roof, protecting the truss system. Traditionally, chimneys were decorated with open or blind carving featuring solar symbols, vegetal motifs, geometric patterns. Carved chimneys transformed a functional element into a work of art, creating a recognizable house image.
Cloths — vertical boards covering the joint between chimneys at the pediment. The name comes from resemblance to hanging cloth. Cloths were often decorated with especially rich carving, including images of the sun — the main symbol of life and prosperity. The lower part of the cloth had a shaped cutout, drop-shaped or triangular elements, creating a rhythmic silhouette.
Eaves — carved boards under the eaves, creating a decorative frieze around the building. They may be simple, with pierced geometric ornament, or complex, with blind carving depicting plants, animals, narrative scenes. Eaves visually lighten the eaves, creating an open edge, softening the transition from wall to roof. Pierced carving, viewed from below, creates a silhouette against the sky.
Pediment decorations — appliques placed on the building's pediment, creating a compositional center. This may be a sun-rosette, a cartouche with the construction date, symbolic images. Pediment decoration crowns the facade, creating a visual apex, drawing the gaze. In traditional architecture, it also carried a protective function, symbolically guarding the house from evil forces.
Materials for facade decor must be especially durable. Larch is an ideal choice due to its natural resistance to moisture. Oak is also good, but requires quality protection. Pine is applicable, but needs careful treatment with antiseptics and application of weather-resistant coatings. Protective treatment includes deep penetration impregnation, primer, two- to three-layer facade varnish or lacquer with UV filters.
Facade decor installation is performed using stainless or galvanized fasteners. Joints are sealed with weather-resistant compounds. Elements must have ventilation on the back side — a gap of two to three millimeters between wood and base prevents condensation buildup. Bottom edges should not rest on the apron or ground, leaving a gap for water drainage and ventilation.
Interior accents: where and how to apply
Furniture facades are transformed by decorative appliques. A standard kitchen set with central appliques and corner elements gains individuality. A bedroom set with carved appliques on the headboard and cabinet facades becomes an ensemble. Living room furniture — chests, sideboards, buffets — with classic decor becomes the interior's focal point.buy classic style furnitureOften means selecting items with rich ornamentation.
Door panels are adorned with appliqués that transform a smooth surface into a paneled structure. The central appliqué imitates a panel, linear elements form a frame. An old door can be transformed by adding decoration, or a door panel can be designed from the start to accommodate appliqués. The top part of the door may be crowned with a pediment or an arched appliqué, creating an architectural composition.
Wall panels — boiserie — are a traditional element of classical interiors. The wall is divided into panels bymolding, within which decorative appliqués or rosettes are placed. The lower third of the wall is clad with framed panels, the middle section remains smooth or is covered with wallpaper, and the top is finished with a cornice. Decorative elements at the center of the panels unify the composition.
Fireplace surrounds are an ideal place for applying carved decoration. The pediment above the fireplace, side pilasters with capitals, and a central panel with carved composition — all of this creates a monumental structure, transforming the fireplace into the focal point of the living room. Even a false fireplace, lacking functional value, becomes a convincing architectural element with quality decoration.
Ceiling beams are decorated with carved consoles — brackets supporting the beam or creating an illusion of support. The console may have the shape of a volute, scroll, or stylized plant. A row of consoles around the room’s perimeter creates rhythm, visually lowers the ceiling height, and makes the space cozier.Decorative bracketsare also used for shelves, creating functional and beautiful solutions.
Arched openings are framed by decorative elements that emphasize the shape. The keystone at the top of the arch — a traditional element — visually fixes the structure. Volutes on either side of the arch create a transition from verticals to curves. A carved archivolt — a curved appliqué that follows the arch’s contour — turns a simple opening into a portal.
Installation of decorative elements: quality technology
Surface preparation — the first and critically important stage. The surface must be flat, clean, dry, and degreased. Dust, grease, and remnants of old finishes reduce adhesive bond. Irregularities over two millimeters are leveled with putty or sanding. On furniture, the surface is sanded with 180-240 grit abrasive, dust is removed, and the surface is degreased with solvent or alcohol.
Marking determines the position of the element. For a central appliqué, the geometric center is found at the intersection of diagonals. Symmetrical elements are marked from the central axis. Pencil, ruler, and set square are used. For complex compositions, a full-scale sketch is made on paper and applied to the surface, transferring key points. A laser level helps maintain horizontal and vertical alignment.
The choice of adhesive depends on materials. For wood-to-wood, use carpentry-grade PVA class D3 or higher, or polyurethane adhesive for heavily loaded joints. For wood-to-MDF, plywood, or particleboard, use a construction adhesive like "liquid nails." Adhesive is applied to the back of the decorative element as a thin, even layer or dots, depending on size. For small appliqués, a few drops suffice; for large ones, apply a continuous layer or a "snake" pattern.
Pressing and fixing — the element is pressed against the surface and held until the adhesive sets. The holding time is specified in the adhesive instructions, usually from 30 seconds to five minutes. For light elements, manual pressing is sufficient; for heavy ones, use clamps with soft pads to avoid damaging the threads. Excess adhesive protruding from under the appliqué is immediately wiped away with a damp cloth while still wet. Dry adhesive is difficult to remove and interferes with finishing work.
Additional fastening is used for heavy or heavily loaded elements. Thin, headless nails or pins are driven into inconspicuous places — deep within grooves, at ends where another element will cover them. Nail length is chosen so that the decorative element is passed through and the nail enters the base by fifteen to twenty millimeters. A small pilot hole, one millimeter smaller than the nail diameter, is drilled beforehand to avoid splitting.
Finishing work is performed after installation. If elements are to be painted, joints are spackled, sanded, and painted together with the base. This creates the impression of a single surface. If elements have factory finishes, joints are carefully stained or touched up with color. Visible mounting points are also masked with spackle or wax pencils.
Sequence for complex compositions — first, large elements are installed, establishing the structure, then medium-sized elements that fill the space, and finally small elements that add details. For example, first install the linear frame around the perimeter, then corner elements, then the central appliqué. This allows for adjusting positions, fitting joints, and achieving compositional accuracy.
Care and preservation of decorative elements
Regular cleaning with a soft brush or microfiber cloth removes dust without damaging the finish. Deeply carved areas require more careful cleaning — a soft-bristled brush reaches the bottom of grooves. Do not use stiff brushes, abrasive sponges, or aggressive cleaning agents — they scratch the finish and damage the wood. For lacquered surfaces, use specialized furniture polishes; for oil finishes, use dry cleaning or a small amount of oil.
Protection from humidity is critical for wood. In rooms with normal humidity (forty to sixty percent), decorative elements remain stable. In high humidity, wood swells; in low humidity, it dries and cracks. Monitoring humidity with a hygrometer, using humidifiers in winter and dehumidifiers in damp weather helps maintain optimal conditions. Decor in humid areas — kitchens, bathrooms — must have water-resistant finishes and be regularly checked for delamination.
Protection from sunlight — ultraviolet light causes color changes in wood, especially light-colored species. Elements opposite windows fade faster. Curtains, blinds, and window tinting reduce exposure. UV filters in lacquer provide additional protection. For particularly valuable items, museum glass with UV protection in frames or display cases can be used.
Reapplication of finish is performed when the surface dulls, microcracks appear, or dirt is absorbed. The surface is cleaned, lightly sanded with 320-400 grit abrasive, and a fresh layer of lacquer or oil is applied. Oil finishes are easier to refresh — clean with a special cleaner, then apply new oil. For heavily worn lacquered surfaces, the old layer must be completely removed, followed by primer and several new lacquer coats.
Repair of damage — chips, dents, cracks — is performed using restoration materials. Minor defects are filled with wax pencils or matching furniture wax. Deep damage is spackled with specialized wood putty, sanded after drying, stained, and covered with a protective finish. Broken carved elements are glued with cyanoacrylate or epoxy resin, and if necessary, reinforced with hidden pins.
Preventive inspection every six months reveals problems early. The strength of mounting is checked — has the element detached from the base? The condition of the finish is inspected — are there any delaminations or scratches? Joints are checked — have any gaps appeared? Timely detection and correction of minor issues prevent serious damage.
Combining with other materials
Wood and polyurethane — a popular combination that leverages the advantages of both materials.Polyurethane moldingsLightweight, moisture-resistant, easy to install, and cheaper. Wood is warm, noble, and tactile. On ceilings, polyurethane cornices and rosettes complement wooden beams and consoles. On walls, polyurethaneMoldingscreate frames, within which wooden appliqués are placed.
Wood and metal — a contrasting combination. Wrought iron elements, brass appliqués, and patinated bronze add graphic contrast to wood, emphasizing its organic nature. On furniture, metal handles and appliqués complement carved wooden decoration. On doors, metal hinges, locks, and appliqués harmonize with wooden casings and appliqués. It is important to coordinate styles — classical carving with classical wrought iron, modern wood with minimalist metal.
Wood and glass create lightness. Glass inserts in wooden frames, stained glass in wooden casings, glass shelves on wooden consoles. Carved wooden decoration frames glass, making it precious. The transparency of glass contrasts with the density of wood, creating a balance of mass and void.
Wood and stone — a monumental combination. Marble countertops with carved wooden supports, stone fireplaces with wooden surrounds, stone wall cladding with wooden appliqués. The coldness of stone is softened by the warmth of wood, and the heaviness is lightened by carving. This combination is characteristic of classical and traditional interiors, where natural materials are valued.
Wood and textile — a soft complement. Upholstered furniture with carved wooden frames, textile panels in wooden frames, draperies that accentuate carved decoration. Fabric adds color, texture, and coziness. Wood provides structure, form, and durability.Furniture legscarved elements support soft seats, creating a balance between hard and soft.
Baroque is characterized by opulence, dynamism, and abundant decoration. Carving is deep and relief-like, elements seem to burst from the plane. Scrolls are large and twisted, acanthus leaves are voluminous, almost sculptural. Masks are expressive, with exaggerated features. Compositions are asymmetrical or complexly symmetrical, with multiple levels. Baroque decoration requires appropriate scale — high ceilings, spacious rooms, where it does not overwhelm the space.
Rococo — a lighter, more playful and elegant version of Baroque. Carving is less deep, lines are more sinuous. Rocaille — asymmetrical shell-like forms, irregular cartouches, floral garlands — are characteristic. Colors are light — white, gold, pastel tones. Rocaille decoration creates the atmosphere of a boudoir, salon, intimate space.
Neoclassicism returns to ancient strictness. Symmetry, proportions, canonical motifs. Carving is restrained, relief is moderate. Geometric and plant ornaments predominate — meanders, palmettes, laurel wreaths. Colors — white, natural wood, gold accents. Neoclassical decoration evokes a sense of order, nobility, timeless values.
Empire — imperial style, ceremonial and monumental. Military symbolism — swords, shields, armor, laurel wreaths of victors. Egyptian motifs — sphinxes, pyramids, lotuses. Carving is clear, graphic, with sharp edges. Colors — dark wood, gold, bronze, black. Empire decoration creates an atmosphere of power, triumph, grandeur.
Modern style leans toward minimalist carving. Geometric forms, concise lines, shallow relief. Decoration is more graphic than sculptural. Emphasis on wood texture, craftsmanship quality, precision of forms. Colors — natural or painted in pure tones. Modern decoration does not dominate, but delicately accentuates, adding texture without visual noise.
Economic aspects and supplier selection
Modern style leans toward minimalist carving. Geometric forms, concise lines, shallow relief. Decoration is more graphic than sculptural. Emphasis on wood texture, craftsmanship quality, and precision of shapes. Colors are natural or painted in pure tones. Modern decoration does not dominate but delicately accentuates, adding texture without visual noise.
Pricing of decorative elements depends on wood species, carving complexity, size, and manufacturing method. A simple pine inlay 10x15 cm costs from 150 rubles. Carved oak inlay 30x40 cm — from 1,500 rubles. Exclusive handcrafted panel 1x1 m — tens of thousands. When calculating the budget, not only the cost of elements but also installation, finishing, and protective coatings are considered.
Quality determines durability and appearance. Signs of quality craftsmanship — sharp carving with crisp edges, smooth surface without fuzz or scratches, absence of knots and cracks, correct geometry, uniform moisture level of 8–12%. Cheap items often have blurred carving, wood defects, inaccurate dimensions. Saving on quality leads to problems — elements warp, crack, lose their appearance.
Manufacturers are divided into mass and exclusive. Mass production uses CNC machines, produces standard models in large batches, prices are lower. Exclusive workshops create handmade items, produce according to individual sketches, prices are higher, but uniqueness is guaranteed. The mid-range segment — a combined approach, where the machine does the main work, and the carver refines details.
Manufacturers are divided into mass and exclusive. Mass production uses CNC machines, produces standard models in large quantities, at lower prices. Exclusive workshops create handmade items, based on individual sketches, at higher prices, but uniqueness is guaranteed. The mid-segment combines both approaches, where the machine handles the main work and the carver refines details.
STAVROS occupies a niche of quality production with optimal price-to-quality ratio.Buy decorative elementsIndividual orders — the opportunity to obtain unique decoration. STAVROS manufactures elements according to the client’s sketches, adapts existing models to required sizes, combines elements into sets. Designers help develop a concept, select combinations, calculate quantities. This is especially valuable for restoring historical interiors, creating original projects, and non-standard solutions.
Consultations with specialists help make the right choice. Which wood species suits specific conditions? What size of elements will harmonize in this room? How to combine decoration with existing furniture and finishes? What mounting method is optimal? STAVROS consultants, possessing deep knowledge of materials and experience implementing hundreds of projects, will answer these and many other questions.
Consultations with specialists help make the right choice. Which species suits specific conditions? What size of elements will harmonize in this room? How to combine decoration with existing furniture and finishes? What mounting method is optimal? Consultants at STAVROS, with deep knowledge of materials and experience implementing hundreds of projects, will answer these and many other questions.
Conclusion: details create the whole
Buy wooden decorative elementsBuy wooden decorative elementsClassic decoration connects us with centuries-old tradition, reminding us that beauty is not a trend, but a value tested by time. Facade decoration protects the home and gives it a face, making it recognizable and unique. Interior accents set priorities, guide the gaze, create spatial hierarchy. Professional installation guarantees longevity and preservation.
Classic decoration connects us with centuries-old tradition, reminding us that beauty is not a trend but a value tested by time. Facade decoration protects the home and gives it a face, making it recognizable and unique. Interior accents set priorities, guide the gaze, and create spatial hierarchy. Professionally executed installation guarantees longevity and preservation.
Natural wood as a decorative material carries warmth, living energy, and the ability to gracefully age. It forgives time, accumulating patina, becoming more valuable. Polyurethane and plastic age poorly, wood — gracefully.Solid Wood ItemsChoosing a supplier determines success. STAVROS offers not just a product catalog, but a system of solutions for creating harmonious interiors. From
Choosing a supplier determines success. STAVROS offers not just a product catalog, but a system of solutions for creating harmonious interiors. Frombalusters for staircasestoceiling rose—casingstodecorative inserts— everything from one source, with guaranteed compatibility, quality, and style.
24.95 $ р.
