Custom furniture and exclusive polyurethane moldings: creating an individual style

Uniqueness is the currency of modern interiors. When thousands of apartments are furnished with identical furniture from hypermarkets, when millions of walls are decorated with the same moldings from standard catalogs, creating an individual style becomes an act of resistance.Custom furniture— items designed by a designer specifically for a particular interior or created by a master cabinetmaker as a unique piece, bearing the imprint of the creator's personality.Exclusive furnitureclassical forms, where carving, inlay, and patination are done by hand, turning furniture into a work of art. Exclusive polyurethane moldings—moldings with rare ornaments, rosettes with individual compositions, pilasters with unique capitals, produced in limited series or made to order. In this article, we explore the mechanics of creating an individual style: how custom furniture with non-standard forms works with classical moldings, how rare molding ornaments echo furniture carvings, howFurniture Handleshandmade become the final detail that ties everything together, how a carved wooden baseboard with custom milling completes the composition. Prepare to enter a world where every interior element exists as a unique piece or in a very limited series, where your home becomes irreproducible.

Polyurethane Moldings NPU-400

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Bar Stool Hygge 003-002

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Table Fjord 002-007

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Chair Archie 003-003

from 954.56 $

Hygge Bar Stool 003-004

from 775.94 $

York Table 002-011

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Custom furniture: when form is born from an idea

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Non-standard forms: rejecting right angles

Mass-produced furniture follows the logic of production: straight lines, right angles, standard modules. It is economical, technologically efficient, scalable. But boring. Bespoke furniture rejects the dictatorship of the right angle: tabletops with smooth, wavy edges, chair backs with asymmetrical curves, table legs with organic sculptural forms reminiscent of tree branches or abstract sculptures.

Dining table with an oval top measuring 220×120 cm made of solid walnut, 50 mm thick, where the edge of the top is not a smooth oval but a wavy line with three or four gentle curves (wave amplitude 30-50 mm from the perfect oval line). Visually, the top appears alive, fluid, organic. The table legs are not straight cylinders or cones but sculptural forms: each leg is individually carved from solid wood, resembling a stylized tree trunk with thickenings and tapers, with bark texture preserved partially or imitated by carving. The four legs are visually different (not identical mirror copies, but four variations on a single theme), enhancing the sense of craftsmanship and uniqueness.

Armchair with an asymmetrical back: the left side of the back is 15-20 cm higher than the right, the line of the top edge of the back is not horizontal but a smooth diagonal. The armrests are of different shapes: the left armrest is wide with a flat surface (a cup can be placed on it), the right armrest is narrow and curved (only for arm support). This asymmetry defies expectations, creates dynamism, attracts attention. The armchair becomes an object of contemplation, not just an object of use.

Chest of drawers with facades that are not flat but relief: each drawer has a front with a convex surface (convexity depth 40-60 mm from the plane of the body), resembling bubbles or water droplets. The relief is created by milling solid wood or molding veneer on a curved matrix. Handles on such facades are integrated into the relief (recessed grips that fingers hook onto when opening) or are absent altogether (push-to-open system, press the facade — the drawer slides out).

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Polyurethane molding NPU-412

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Polyurethane molding NPU-413

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Polyurethane molding NPU-416.4

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Handmade: traces of the master

Bespoke furniture bears traces of handwork, which are not hidden but showcased as a virtue. Wood carving is not CNC machine milling with perfectly smooth surfaces, but hand carving with chisels, where tool marks are visible, where the depth of cut varies slightly, where each acanthus leaf has individual nuances of form.

Patination is not factory application of patina with a spray gun using a stencil, but manual rubbing of patina into the recesses of the carving with a brush or swab, where the master makes decisions: more patina here (deeper, darker), less here (lighter, more transparent). The result: each item has a unique patina pattern, unreproducible.

Inlay — embedding pieces of another material into the wood surface (wood of a contrasting color, brass, mother-of-pearl, stone). Inlay is done by hand: the master marks the pattern on the surface, cuts recesses of the required shape, fits the inserts (each insert is individually processed with a file to fit tightly into the recess), glues them in, and sands them flush with the surface. Inlaid furniture requires dozens of hours of handwork, costs 3-5 times more than non-inlaid furniture, but the visual effect is incomparable.

Unique design: furniture as a manifesto

Bespoke furniture often carries a philosophical or aesthetic idea expressed through form, material, and construction. A table made from a slab (a solid cross-section of a tree trunk, 60-100 mm thick, 80-150 cm wide, 200-300 cm long, with preserved natural edge, bark, cracks, knots) is a manifesto of naturalness, acceptance of natural form without violence against it. Such a table is unique by definition: no two identical slabs exist, each is an imprint of a specific tree that grew in a specific place for a specific number of years.

Armchair made of bent plywood — a manifesto of technological efficiency and minimalism: thin sheets of plywood (5-7 mm) are glued in layers, bent into a three-dimensional form (the back and seat are a single continuous surface without seams), creating a lightweight, strong structure. Such an armchair weighs 4-6 kg (compared to 15-25 kg for a traditional solid wood armchair), visually appears to float, demonstrating that furniture can be sculptural with minimal material mass.

Wardrobe with facades made of charred wood (shou sugi ban technique — a Japanese technique of charring the wood surface, creating a black charcoal layer that is then partially scrubbed off with a stiff brush, revealing the texture of the growth rings, creating a contrast between the black charred areas and the light undamaged ones) — a manifesto of brutality and archaism, referencing ancient wood preservation techniques (charred wood is more resistant to rot and insects).

Exclusive molding: ornaments not found in catalogs

Rare ornaments: beyond acanthus leaves

Standard molding operates with a limited set of ornaments: acanthus leaves, rosettes, dentils, egg-and-dart, garlands. These ornaments are beautiful, time-tested, recognizable. But repeatable. Exclusive molding turns to rare ornaments that require painstaking work to create casting molds and exist in limited series.

Palmette ornament — a stylized fan-shaped palm leaf consisting of 5-9 narrow pointed segments radiating from a single point. The palmette is characteristic of ancient Greek and Roman architecture but is rare in modern molding catalogs (2-3% of products compared to 60-70% with acanthus). A molding with a palmette ornament 80 mm wide, where palmettes alternate with rosettes, creates an atmosphere of antiquity, a reference to classical antiquity without direct copying.

Meander ornament — a continuous broken line at right angles, forming a geometric pattern (resembling stylized waves or a labyrinth). The meander is a symbol of eternity, infinity (the line has no beginning or end). A cornice with a meander 120 mm wide, where the meander runs along the central strip of the cornice, framed above and below by smooth beads, creates a strict geometric graphic, contrasting with lush acanthus ornaments.

Griffin ornament — a mythical creature with the body of a lion, the head and wings of an eagle, often used in Empire-style interiors (Empire loved Egyptian and antique motifs; griffins guarded treasures, symbolizing power). A pilaster with a capital, on which, instead of traditional acanthus leaves, two symmetrical griffins looking in different directions are depicted — a rare element that immediately attracts attention, creating drama.

Floral ornaments of specific plants instead of abstract leaves: grapevine with clusters and tendrils (symbol of fertility, abundance), oak leaves with acorns (symbol of strength, durability), olive branch (symbol of peace, wisdom). A frieze above a door with a bas-relief image of oak branches 150 mm wide, 100 mm high, where each leaf is detailed (veins, serrated edges), where acorns hang on twigs — such a frieze is unique, tells a story, not just decorates.

Individual rosettes: composition on the ceiling

Ceiling rosette — a round or oval decorative element framing a chandelier. Standard rosettes with a diameter of 60-100 cm cost 4500-12000 rubles and have standard ornaments (concentric circles of acanthus leaves, rosettes, beads). An individual rosette is designed by a designer specifically for a particular interior, taking into account the style of the room, the size of the chandelier, ceiling height, and color scheme.

Rosette with a diameter of 140 cm for a living room with a 3.5-meter ceiling, where the ornament composition is not concentric circles but radial: from the center (where the chandelier will be mounted) radiate 12 ray-petals 60 cm long, between the petals are placed rosettes 80 mm in diameter, the outer edge of the rosette is framed by a frieze with a meander. Such a rosette creates a sense of the sun, from which rays of light emanate — a metaphor for the chandelier as a light source. Manufacturing an individual mold for casting such a rosette costs 85000-150000 rubles (the mold is reusable, 50-100 copies can be cast from it, but if the rosette is ordered as a single copy, the cost of the mold falls on one item), the rosette itself made of polyurethane costs 28000-42000 rubles. Total 113000-192000 rubles — an investment, but the result is unique.

Oval rosette measuring 180×120 cm for an elongated living room, where the chandelier is not a central round one but linear (several light fixtures in a row). The rosette composition: a central oval frame with dentils, inside which are three round rosettes 40 cm in diameter (for three light fixtures), between the rosettes are garlands of laurel leaves. Such a rosette is functional (frames all three light fixtures with a single composition) and decorative (creates a complex multi-level composition on the ceiling).

Individual moldings: custom profile

Standard moldings have profiles stamped in molds that are used for years, producing thousands of linear meters. An individual molding has a profile developed for a specific project: the designer draws the profile (cross-section of the molding with exact dimensions of all protrusions, recesses, transitions), a matrix (metal or silicone mold for extrusion or casting polyurethane) is cut according to the drawing, and the molding is manufactured from the matrix.

Molding 100 mm wide with a profile where the central strip is decorated not with a standard ornament but with a geometric pattern designed by the designer: alternating squares and rhombuses, recessed 3-5 mm from the plane of the molding, creating a play of light and shadow. Such molding is universal (geometry suits any style — from neoclassical to Art Deco) but unique (the pattern is not found in other interiors). The cost of developing the profile and manufacturing the matrix is 45000-85000 rubles, the cost of the molding made of polyurethane is 1200-1800 rubles/m (more expensive than standard 650-950 rubles/m due to small series). If a project needs 60 meters of molding, total: 45000+(60×1500)=135000 rubles versus (60×800)=48000 rubles for standard molding. Overpayment 87000 rubles, but the interior gets an element that exists nowhere else.

Combining bespoke furniture with classical molding

Contrast of forms: sculptural quality of furniture and architectural quality of molding

Bespoke furniture of non-standard organic forms (wavy tabletops, asymmetrical backs, sculptural legs) in an interior with classical molding (symmetrical cornices, molding frames, rosettes) creates a visual contrast that enriches the interior.

A dining table made from a walnut slab with a natural edge and sculptural legs stands in a dining room where the ceiling is decorated with a classical cornice 140 mm wide with dentils, and the walls are divided by moldings into symmetrical panels. The contrast: the table is organic, asymmetrical, brutal (thick massive top, dark wood), the molding is symmetrical, structured, light (white cornices and moldings). This contrast is not a conflict but a dialogue: the molding creates architectural order, structure, within which the table exists as a free art object, not subject to symmetry.

A chair with an asymmetrical back and armrests of different shapes stands against a wall decorated with a molding frame measuring 100×140 cm. The chair is deliberately not centered relative to the frame (it is not positioned exactly in the center but is shifted 30-50 cm to the left or right), which enhances the asymmetry and creates dynamism. If the chair were positioned strictly in the center of the frame, the contrast between the chair's asymmetrical form and the symmetrical frame would be weaker.

Repetition of patterns: connection through details

If custom furniture has carved elements, the carving patterns should echo the patterns of the stucco. A chest of drawers with a carved frieze under the tabletop, where the carving depicts a grapevine, stands in a living room where a ceiling rosette with a diameter of 100 cm is also decorated with a grapevine (the vine winds around the outer edge of the rosette, with clusters hanging towards the center). The repetition of the motif creates a connection: the carving on the furniture and the stucco on the ceiling rhyme, are aware of each other, and form a single composition.

A table with legs decorated with acanthus leaf carving stands in a dining room where the cornice under the ceiling has a frieze with acanthus leaves. The leaves on the table legs and on the cornice are not identical (on the table, the leaves are larger, more voluminous; on the cornice, they are smaller, flatter), but recognizably related. This creates a vertical connection: the gaze slides from the table legs up to the cornice, catching the repetition of form and sensing unity.

Color unity: patina on furniture and stucco

Custom furniture is often patinated (the surface is painted a base color, then a contrasting patina is rubbed into the recesses of the carving, creating an aging effect and depth). Classic stucco can also be patinated using the same scheme. If the furniture is patinated (base color light gray, patina dark brown in the recesses), the stucco is patinated identically (base light gray, patina dark brown). Color unity enhances the connection between the furniture and the architecture.

Alternative: dark furniture (natural oak under oil, dark brown), white stucco (classic). The contrast of dark wood vs. white stucco is a proven scheme that works in most interiors. But if a more complex solution is desired, the stucco is painted not in pure white, but in an ivory shade (warm beige-white), which echoes the warm tones of the wood.

Handmade furniture handles: art objects on facades

Carved handles from solid oak

A furniture handle is an element measuring 80-150 mm that is taken in hand every day (when opening a chest drawer, a cabinet door). In mass-produced furniture, the handle is a technical element, minimalist (a metal bracket, a plastic button). In custom furniture, the handle is a micro-sculpture, an art object that demonstrates craftsmanship and adds uniqueness.

A carved handle from solid oak, 120 mm long, where the shape is not rectilinear (a bracket with straight sections) but sculptural: the handle resembles a curved tree branch with a diameter of 25-30 mm, with the preserved texture of the bark (imitated with a chisel or preserved from a real branch if the handle is carved from a natural branch). At the ends of the branch are small stylized leaves (carved elements measuring 15×10 mm), creating completeness of form.

Such a handle is made by hand: the master selects a blank (an oak block 30×30×130 mm), marks the contours of the handle, carves the main shape with chisels, works out the details (bark texture, leaves) with carving tools, sands, and coats with oil or wax. The manufacturing time for one handle is 3-5 hours (depending on the complexity of the carving). The cost of such a handle is 4500-8500 rubles per piece compared to 600-1500 rubles for a standard wooden handle of simple shape. For a chest of drawers with 8 drawers, 8 handles are needed, totaling 36000-68000 rubles just for the handles — an investment, but these handles turn the chest into a unique item.

Brass handles with chasing

Brass is a golden-colored metal, soft, workable, and non-oxidizing (unlike iron, which rusts). A brass handle with chasing (hammering a relief pattern onto the metal surface using special stamps) creates a deep, detailed ornament that is impossible with casting.

A bracket handle made of brass, 140 mm long, where the front surface of the bracket (the visible part, 20-25 mm wide) is decorated with a chased ornament: a grapevine with leaves and clusters, protruding 2-4 mm from the plane. The chasing is done by hand by a master chaser: a drawing is applied to a flat brass plate, then from the reverse side of the plate, hammer blows are struck along the contour of the drawing through stamps (steel rods with a profile), pressing out the metal and creating relief. The manufacturing time for one handle is 4-7 hours. The cost is 6500-12000 rubles per piece.

Such handles are installed on custom furniture made of dark wood (walnut, wenge, bog oak), where the golden brass contrasts with the dark wood, creating a luxurious accent. If the interior features stucco with gilding (gilded ornaments on cornices, rosettes), the brass handles rhyme with the gilding through color.

Handles as an extension of the furniture carving

On custom furniture with abundant carving, handles can be integrated into the carving, becoming its extension. A chest of drawers with facades decorated with a carved bas-relief (a hunting scene: a deer, dogs, trees), where the drawer handles are stylized tree branches growing out of the carved bas-relief. The handle is not an overlay (a separate element screwed to the facade) but is milled from the same board as the facade, forming a single whole with the relief. When opening a drawer, you grasp a tree branch that is part of the hunting scene — the boundary between functional and decorative is blurred.

Carved wooden baseboard: the finale of the composition

Individual milling: a profile not found in catalogs

A standard baseboard made of solid oak has standard profiles: rectangular cross-section with a chamfer, ogee, ogee + bead, ogee + grooves. These profiles are universal, suitable for most interiors, produced in thousands of linear meters, and cost 1400-2200 rubles/m. A carved baseboard with individual milling has a profile developed for a specific interior, milled on a CNC machine according to an individual program.

A baseboard 120 mm high made of solid oak, where instead of the standard ogee + bead profile, the upper part of the baseboard (a strip 40 mm high) is decorated with a carved ornament: a grapevine with leaves and clusters, repeating the ornament of the furniture handles and the carving on the furniture. The ornament is milled to a depth of 4-6 mm, creating relief that is perceived visually and tactilely.

Developing the milling program (3D model of the ornament, converting the model into a control program for the CNC machine, trial milling of a sample, adjustments) costs 28000-55000 rubles. Milling the baseboard costs 1600-2400 rubles/m (more expensive than the standard 1400-2200 rubles/m due to the individual program and slower processing). For an apartment with a perimeter of 90 meters, the total is 28000+(90×2000)=208000 rubles compared to (90×1800)=162000 rubles for a standard baseboard. The overpayment is 46000 rubles, but the baseboard becomes an element linking the furniture (through repetition of the ornament) with the architecture (the baseboard is an architectural element running along the perimeter of the room).

Hand carving: when CNC is not enough

For ornaments with very deep relief (depth 15-25 mm, where the elements of the ornament are almost sculptural, protruding from the plane of the baseboard), CNC milling is insufficient — hand carving is required. A baseboard 140 mm high, where the upper strip 60 mm high is decorated with carved acanthus leaves, protruding 20 mm from the plane, with curls winding around each other, creating a three-dimensional composition.

Such a baseboard is manufactured using a combined method: the main shape is milled on a CNC machine (the baseboard profile, rough shape of the leaves), then a master carver manually refines the details (veins on the leaves, sharp tips of curls, undercutting recesses between elements to create depth). The time for manual refinement is 40-80 minutes per linear meter. The cost is 4500-7500 rubles/m. For a perimeter of 90 meters, the total is 405000-675000 rubles — very expensive, but the result is of museum quality; the baseboard becomes a work of art running along the bottom of the walls.

The color of the baseboard is critical for the composition. If the custom furniture is made of dark walnut, a baseboard made of dark walnut creates a connection through material and color (the furniture and baseboard are visually one family). If the walls are light gray, a light gray baseboard (painted the color of the walls) creates the impression that the walls continue down to the floor. If the floor is natural oak parquet, a natural oak baseboard (under oil, emphasizing the texture) creates the impression that the baseboard is an extension of the floor, rising up the wall.

The color of the baseboard is critical to the composition. If the custom furniture is made of dark walnut, a dark walnut baseboard creates a connection through material and color (the furniture and baseboard are visually one family). If the walls are light gray, a light gray baseboard (painted to match the walls) creates the impression that the walls continue down to the floor. If the floor is natural oak parquet, a natural oak baseboard (with oil finish, emphasizing the texture) creates the impression that the baseboard is an extension of the floor, rising up the wall.

For custom interiors with exclusive furniture and stucco, a baseboard matching the furniture color is optimal: connection through material, contrast with light stucco. Wooden furniture (dark, carved, with patina), wooden baseboard (dark, carved, with patina), white or light gray stucco on the ceiling and walls — a classic scheme that works.

Frequently asked questions

How much does it cost to order custom furniture for a living room (sofa, two armchairs, coffee table)?

Custom furniture is priced individually: it depends on dimensions, material, complexity of forms, presence of carving, inlay, patination. A straight three-seater sofa 220 cm long made of solid oak with carved armrests and upholstered in genuine leather: 285,000-450,000 rubles. Two armchairs with carved legs and asymmetrical backs: 2×145,000 = 290,000 rubles. A coffee table made from a walnut slab 120×80 cm with epoxy-filled cracks: 125,000-220,000 rubles. Total for the living room: 700,000-960,000 rubles. This is a premium segment, but the furniture is unique, will last 40-60 years, and can be passed down as an heirloom.

Can I order a custom polyurethane rosette as a single piece, or is a minimum series required?

The cost of making a mold for casting a rosette is 65,000-150,000 rubles (depends on diameter, complexity of the ornament). From one mold, 50-100 copies of rosettes can be cast. If ordering a single piece, the full cost of the mold is applied to it, resulting in a rosette costing 65,000 + (casting cost 15,000-35,000) = 80,000-185,000 rubles. If ordering a series of 10 pieces, the mold cost is divided by 10, each rosette costs 6,500 + (15,000-35,000) = 21,500-41,500 rubles. It is economically optimal to order at least 5-10 pieces (the rest can be sold, gifted, or used in other rooms if the house is large).

How long does it take to manufacture custom furniture?

Stages: design development (sketches, 3D visualization, approval with the client) 7-14 days. Material procurement (ordering solid wood of the required species and quality, drying to the required moisture content if suitable stock is unavailable) 14-30 days. Manufacturing (cutting, milling, carving, assembly, finishing) 30-60 days depending on complexity. Total from order to receiving the finished furniture: 50-100 days (1.5-3 months). For furniture with inlay, complex multi-layer finishing (patina + gilding + varnishing in 8-10 layers), the timeframe can reach 4-5 months.

Are hand-carved furniture handles only for classic interiors or are they suitable for modern ones?

Carved handles are versatile with the correct selection of ornament. For classic interiors: acanthus leaves, rosettes, volutes (scrolls), patination. For modern interiors: abstract geometric carvings (lines, triangles, waves), minimalist plant motifs (stylized leaves without detailing), natural wood with oil finish without patina (emphasizing the wood grain, not the ornament). A handle made of oak in the shape of a gently curved branch, 25 mm in diameter, with no additional decor (only the natural wood grain) works perfectly in a modern minimalist interior.

Is it necessary to duplicate the ornament of the molding in the furniture carving, or can different ornaments be used?

Duplication creates a strong connection (the ornament on the cornice and on the furniture is identical or similar), but it is not mandatory. Different ornaments can be used if they are stylistically related: both ornaments from the classical repertoire (acanthus leaves on furniture, dentils on the cornice) or both from the plant world (grapevine on furniture, oak leaves on the cornice). It is important to avoid stylistic conflict: Baroque carving on furniture (abundant scrolls, cherubs) and a strict geometric meander on the cornice do not combine well — they are languages that are too different.

A carved baseboard with an ornament — won't it attract dust and be difficult to clean?

A carved baseboard with a relief depth of 4-6 mm indeed has recesses where dust settles. Cleaning: wipe once a week with a dry soft cloth or a brush with soft bristles (to sweep dust from the recesses). Wipe once a month with a slightly damp cloth (not wet, to prevent water from seeping into the joints). If the baseboard is coated with oil or wax, renew the coating once a year (apply a thin layer of oil, rub it in, it absorbs into the wood, renewing the protection). Cleaning is slightly more labor-intensive than for a smooth baseboard, but not critical (adds 5-10 minutes per week for an apartment of 80-100 m²).

Conclusion: Uniqueness as a Philosophy

Creating an individual interior style is a process that requires time, investment, and involvement. It is not about buying a ready-made furniture set and molding from a catalog in one day. It is about developing a concept (what image, what atmosphere, what emotions the interior should evoke), selecting elements (what furniture, what molding ornaments, what materials, what colors), coordination (how furniture and molding work together, whether ornaments repeat, whether forms contrast), and implementation (ordering manufacturing, quality control, installation, final finishing).

Custom furniture is an investment in items that are unique, unrepeatable, bearing the imprint of the creator's and owner's personality. Exclusive molding with rare ornaments or individual compositions transforms the architecture of a space into a work of art. Handmade furniture handles, a carved baseboard with custom milling — these are details that complete the composition, tie everything together, creating a sense that every element of the interior is aware of the others, forming a family with them.

Uniqueness is not an end in itself. Uniqueness is a way to express individuality, to create a space that reflects your values, tastes, and history. An interior with custom furniture and exclusive molding is unlike any other, unreproducible, not mass-produced. It is your interior, existing as a single copy, telling your story.

The company STAVROS has been creating custom and exclusive furniture for over twenty-three years, works with exclusive molding, and understands the value of uniqueness. Custom furniture made from solid oak, walnut, ash, beech — tables from slabs (solid trunk cuts with a natural edge, length 200-320 cm, width 80-150 cm, thickness 60-100 mm, cost 185,000-480,000 rubles depending on wood species, size, quality), armchairs with asymmetrical backs and sculptural armrests (cost 125,000-280,000 rubles per armchair), chests of drawers with carved fronts or fronts with relief (cost 145,000-380,000 rubles), consoles with brass or mother-of-pearl inlay (cost 98,000-245,000 rubles). All furniture is manufactured in our own production facility, where master cabinetmakers with 15-35 years of experience work, skilled in hand carving, inlay, patination, and polishing.

Exclusive classic furniture — armchairs with carved armrests and cabriole legs, upholstered in velvet or genuine leather (cost 115,000-250,000 rubles per armchair), sofas with carved backs and button-tufted cushions (cost 285,000-620,000 rubles for a sofa 220-280 cm long), wardrobes with carved cornices and friezes, doors with panels decorated with carving (cost 320,000-850,000 rubles for a wardrobe 200-300 cm wide). Carving is done in a combined manner: rough shaping on a CNC machine, details by hand with chisels and carving tools. Patination, gilding of ornaments by hand (the master applies patina or gold leaf with a brush to the raised parts of the carving).

Handmade furniture handles — carved from solid oak (length 80-150 mm, ornaments: acanthus leaves, grapevine, abstract scrolls, cost 3,500-8,500 rubles/piece), brass with embossing (length 100-160 mm, embossed plant or geometric ornaments, cost 5,500-12,000 rubles/piece), cast brass with patination (antique brass, polished brass, cost 2,800-6,500 rubles/piece). Handles are made to order based on an individual sketch (sketch development, sample production, approval, series production) or can be selected from a catalog of exclusive handles (50+ models not available in mass production).

Exclusive polyurethane molding — rosettes with individual compositions (diameter 80-180 cm, cost of mold development + casting one piece 75,000-185,000 rubles, series of 10 pieces 20,000-45,000 rubles per piece), moldings with rare ornaments (palmette, meander, griffins, specific plants — oak leaves, grapevine, olive branch, width 60-140 mm, cost 850-1,600 rubles/m), pilasters with custom capitals (height 200-320 cm, capitals with ornaments developed for a specific project, cost 28,000-75,000 rubles/piece). Possibility to order molding based on an individual sketch (you provide a drawing, photo of a historical sample, or description of an idea, STAVROS designers develop a 3D model, make the mold, cast the element).

Carved baseboard made of solid oak — height 100-180 mm, custom milling of the profile (program development, trial milling of a sample, adjustments, series milling, development cost 25,000-55,000 rubles, baseboard cost 1,500-2,400 rubles/m), hand finishing of carving (for ornaments with deep relief, cost 4,000-7,500 rubles/m). Baseboard with ornaments: grapevine, acanthus leaves, oak leaves, geometric patterns. Finishing: natural wood with oil (emphasizes the grain), tinting (changing the wood color while preserving the grain), patination (base color + dark patina in recesses), painting to match the wall color (the baseboard becomes an extension of the wall).

Comprehensive custom interior design service: STAVROS designers develop an interior concept, select custom furniture and exclusive molding so that they work as a unified composition (ornaments are repeated, colors are coordinated, forms contrast or rhyme as intended), create 3D visualization (you see the future interior realistically, understand how elements combine), calculate an estimate, coordinate the manufacturing of all elements (furniture, molding, handles, baseboards are manufactured in parallel, ready for the same deadline). Design cost: 85,000-250,000 rubles depending on the area of the object, complexity of the interior, number of unique elements. When ordering manufacturing for an amount from 1,500,000 rubles, the design cost is deducted from the order amount.

By choosing STAVROS, you gain a partner in creating unique interiors. Create spaces where every element exists as a single piece or in a very limited series. Surround yourself with furniture that bears the imprint of the master's hands, molding with ornaments not found in other homes, handles that are micro-sculptures, baseboards that tie everything together. Live in interiors that tell your story. With STAVROS, uniqueness is achievable.